International Art Objects Galleries

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  • Pae White
    Images Biography Exhibitions Press
    Dsc 1361-Reference Almost Friendship The Keeper
    Dsc 1374-Reference Pae White Mobile Chandelier
    -1 Tap -1
    -2 Power Plant Tapestry Bedspread-Front-View
    Clear Clock Whit-075-2009 Screen Shot 2011-02-03 At 3.12.55 Pm
    Whit-093-2009 Pink.Spooks -6
    Pw-Delme3 Americansnewart002 Guilbauts-Mobile
    Oroscopo-2 Oroscopo Detail Pae-Mobile-4
    Pae-Spider-Mobile Pw-Bbq-Owl Pae-White-2022
    Pae-White-Instal- Pw Delme7 Partial-Bird
    Giraffes 2 Chandeliers 2 Plex-Multi
    Pw-London-1 Pw-Mak2 -3
    Pw Mta Seat Fabric 2 Pw Mta Seat Fabric 3

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    Pae White

    Born 1963, Pasadena, CA. Lives and works in Los Angeles, CA

     

     

    Education

     

    1991
    MFA Art Center College of Design, Pasadena, CA

    1990
    Skowhegan School of Painting and Sculpture, Skowhegan, ME

    1985
    BA Scripps College, Claremont, CA

     

     

    Solo Exhibitions

     

    2012
    South London Gallery, London, UK
    Museum für Angewandte Kunst, Vienna, Austria
    SUMMER XX, The Fabric Workshop and Museum, Philadelphia, PA

    2011
    Here Today, 1301PE, Los Angeles, CA
    Material Mutters, Site Santa Fe, Santa Fe, NM
    Restless Rainbow, The Art Institute of Chicago, Chicago, IL
    A piece of the almost grey sky..., kaufmann repetto, Milan, Italy 

    2010
    Material Mutters, Toronto, Canada; The Power Plant, Toronto, Canada
    St. Louis Museum Art Museum, New Media Series, St. Louis, Missouri

    2009
    2 Person exhibition with Daniel Buren, Xavier Huskens , Brussels, Belgium
    Smoke Knows 1301PE, Los Angeles, California
    Lisa Bright and Dark,
    Taubman Museum of Art, Roanoke, Virginia
    Between the Outside In,
    New Langton Arts, San Francisco, California
    Between the Inside Out, Mills College, San Francisco, California

    Venice Biennale 2009

     

    2008
    Lisa Bright and Dark,
    Scottsdale Museum of Contemporary Art, Scottsdale, Arizona
    Mr. Baci e Abracci,
    Galleria Francesca Kaufmann, Milan, Italy
    Too Much Night,
    Neugerriemschnieder, Berlin, Germany

    2007
    Hirschhorn Museum and Sculpture Garden,
    Washington DC
    Get Well Soon, greengrassi,
    London, UK

    2006
    in no particular order,
    Manchester Art Gallery, Manchester, England
    Sue Crockford Gallery,
    Auckland, New Zealand
    Midnight,
    Skestos Gabriele, Chicago, IL

    2005
    another cherry blossom,
    greengrassi, London, England
    Cottonmouth neugerriemschneider,
    Berlin, Germany
    Galerie Ghislaine Hussenot,
    Paris, France
    Perwinkles, 1301PE,
    Los Angeles, CA
    Milton Keyes Gallery,
    Milton Keyes, England

    2004
    Hammer Museum,
    Los Angeles, CA
    Amps and Ohms,
    centre d'art contemporain la Synagogue de Delme, Delme, France
    Ohms and Amps,
    Le Salle de Bains, Lyon, France

    2003
    Giraffes, Galeri
    e Daniel Buchholz, Cologne, Germany 
    (untitled), Richard Telles Fine Art. Los Angeles, CA

    Fire ‘n’ Nice, 1
    301PE, Los Angeles, CA
    Chamois, Sespe and Foggy,
    galleria francesca kaufmann, Milan, Italy 
    Ghost Towns,
    Govett-Brewster Art Gallery, New Plymouth, New Zealand
    A grotto, some nightfish and a second city,
    Contemporary Art Gallery, Vancouver, Canada                                                                                                      
    The Actual Tigers,
    greengrassi, London, England

    2001
    1301PE,
    Los Angeles, CA
    galleria francesca kaufmann, Milan, Italy

    Birds and Ships,
    neugerriemschneider, Berlin, Germany

    2000
    China Art Objects Galleries, Los Angeles, CA
    1301PE, Los Angeles, CA

    1999
    China Art Objects Galleries, Los Angeles, CA
    “W
    PEP”, Finesilver Gallery, San Antonio, TX
    Neapolitan City, 1301PE, Los Angeles, CA

    1998
    gr
    eengrassi, London, UK

    1997
    "Animal Flood",
    I-20 Gallery, New York, NY

    1995
    "Summer Work",
    Shoshana Wayne Gallery, Santa Monica, CA

    1993
    S
    hoshana Wayne Gallery, Santa Monica, CA

    1991
    G
    raduate Exhibition, Art Center College of Design, Pasadena, CA

    1990
    “10, 11” W.C. Gallery, Art Center College of Design, Pasadena, CA

    1989
    Bliss Gallery, Pasadena, CA



    Selected Group Exhibitions

    2011   
    Suspense, EX3, Florence, Italy. Curated by Lorenzo Guisti and Arabella Natalini
    PLUS ULTRA. Opere dalla Collezione Sandretto Re Rebaudengo, Museo D’Arte Contemporanea Roma, Rome, Italy
    Spirit and Space, Collezione Sandretto Re Rebaudengo, Sala de Arte Santander, Madrid, Spain
    Everything Must Go, Casey Kaplan, New York, NY. Curated by José Noe Suro and Edward Sarabia
    Greater LA, YRB Warehouse, New York, NY, Curated by Benjamin Godsill and Joel Mesler
    Paradise Lost, Istanbul Museum of Modern Art, Istanbul
    Marea de Nudos, MUAC, Mexico City, Mexico
    Fullerton College Art Gallery, Fulerton, California


    2010  
    Whitney Biennial, Whitney Museum of American Art, New York, NY  
    Contemplating the Void, The Solomon Guggenheim Museum, New York, NY Curated by Nancy Spector
    Pièces à vivre, curated by Violaine Daniels, Centre d'art contemporain, Chamarande, France
    Königstraum und Massenware, “Utopia Daily” section curated by Katia Baudin Porzellanikon, Selb, Germany.
    Alchemy, Reed College, Portland, Orgeon
    King Rat, curated by Tessa Giblin, Project Arts Center, Dublin, Ireland
    The Tale of a Blind Resistance Fighter, Galerie Paul Andriesse, Amsterdam, Netherlands
    One Work, One Room, 1301PE, Los Angeles, California
    The Inauguration of China Art Objects in Culver City, China Art Objects, Los Angeles, California
    The Artist’s Museum – Los Angeles Artists 1980 - 2010, The Museum of Contemporary Art, Los Angeles
    Marea de Nudos, Galería Jesús Gallardo, León, Guanajuato, Mexico


    2009
    Fare Mondi/Making Worlds, 53rd La Biennale di Venezia, Venice, Italy
    Mind The Step, 1301PE, Los Angeles, CA
    Notation. Calculation and Form in the Arts, ZKM Media Museum, Karlsruhe, Germany. Curated by Dieter Appelt and Peter Weibel.
    1999, China Art Objects Galleries, Los Angeles, CA
    House is Not a Home, La Calmeterie, Nazelles, France curated by Ingrid Bruchard
    Summer Group Show, Cottage Home, Los Angeles, CA
    Installations Inside / Out: Armory 20th Anniversary Exhibition, Armory Center for the Arts, Pasadena, CA
    Curated by Jay Belloli and Sinéad Finnerty-Pyne
    In Bed Together, Royal/T, Los Angeles, CA. Curated by Jane Glassman
    From My Universe: Objects of Desire, See Line Gallery, Los Angeles, California
    Rock Garden, Salon 94, New York, New York

    2008   
    1301PE, Los Angeles, California
    Cohabitation, 13 artists and collage, galleria francesca kaufmann, Milan, Italy
    Shhoener Wohner, neugerreimschneider, Berlin
    Shoes, Gavlak, South Beach, Florida
    Martian Museum of Terrestrial Art, Barbican Art Gallery, London, United Kingdom
    Implicasphere: Smoke, Pumphouse Gallery, London, United Kingdom
    About Change Collection, Berlin
    Folkestone Triannela

    2007
    Alone in the Jungle, Mandarin Gallery, Los Angeles, CA
    Darling, Take Fountain, Kalfayan Galleries, Athens, Greece
    Half Square, Half Crazy, Villa Arson, Nice, France, Curated by Vincent Pecoil
    Skulpture Projekte Munster 07, Munster, Germany
    If Everybody Had an Ocean, Tate St. Ives, Cornwall, United Kingdom, traveling to CAPC, Bordeaux. Curated by Alex Farquarson 
    New Materials as New Media, Contemporary Arts Center, Cincinnati, Ohio. Curated by Kippy StroudLos Vinilos, El Basilico, Buenos Aires, Argentina. Curated by Henry Coleman
    The Shadow Cabinet – part II; Route A1, de Appel, Amsterdam, Netherlands, curated by Petra Heck
    Six, Williamson Gallery, Art Center College of Design, Pasadena, California. 
    Alone in the Jungle, Mandarin, Los Angeles, Curated by George Porcari
    L.A. Desire, Galerie Dennis Kimmerich, Dusseldorf, Germany, Curated by Wilhelm Schürmann
    Darling, Take Fountain, Kalfayan Galleries, Atehns, Greece, Curated by Konstantin Kakanias
    Uneasy Angel, Spreuth Magers, Munich, Germany. Curated by Johannes Fricke Waldthausen
    No Room for the Groom, An exhibition with Douglas Sirk,  Herald Steet, London, UK, Curated by Gregorio Magnani
    An Archeology,  Zabludowicz Collection,  London, UK
    Sculptors’ Drawings: Ideas, Studies, Sketches, Proposals, and More, Angles Gallery, Los Angeles, CA.
    Michel und Seine Freunde, Studio of Michel Majerus, Berlin, Germany. Curated by Jean and Edith Majerus 
    Running around the Pool, Contemporary Drawings, Museum of Fine Arts, Florida State University. Curated by Terry Lindbloom

    2006
    Collage Effect, 1301PE, Los Angeles, CA
    Material Matters, LACMA, Los Angeles, CA
    La Triennale di Milano, Milan (catalog)
    Kit-O-Parts, CAN, 1301PE, Los Angeles, CA
    We Can Do This Now, The Power Plant, Toronto, Canada
    New Acquisitions, Tate London, London, UK
    Glass, Material Matters, Los Angeles County Museum of Art, California. Curated by Howard Fox (cat). 
    HyperDesign, Shanghai Biennale, Shanghai, China. Curated by Jonahton Watkins, Gianfranco Maraniello, Xiao Xiaolan, Lin Shu Min and Huang Du.
    Angela Bulloch, Judy Ledgerwood, Diana Thater and Pae White, 1301PE, Los Angeles, CA
    Domestique, Gallery Standard, Oslo, Norway. Curated by Eivind Furnesvik and Salome Sommer
    Raid Triumverate 4, Raid Projects, Los Angeles, CA. Curated by Pae White.
    Il Diavolo del Focolare, Palazzo della Triennale, Milan, Italy. Curated by Claudia Gian Ferrari.
    Idylle-Traum und Trugschluss, Sammlung Falckenberg, Hamburg and Kulturstiftung Phoenix Art. Curated by Oliver Zybock and Martje Schulz
    Shape without Form, Galleria Francesca Kaufmann, Milan, Italy. 
    Light X 8, The Jewish Museum, New York, NY. Curated by Ali Gass
    Accommodate, St. Paul St, School of Art Design, AUT Des
    Among the Ash Heaps of Millionaires, Ancient & Modern, London, UK
    Jumex Collection, Mexico City, Mexico.  Curated by Alma Ruiz 
    Four Decades of the Govett- Brewster Art Gallery Collection, Govett-Brewster Art Gallery, New Plymouth, New Zealand

    2005
    Extreme Abstraction, Curated by Louis Grachos and Claire Schneider, Albright-Knox   
    Gallery, Buffalo, New York, 
    The Lateral Slip, Curated by Jan Tumlir, Sweeney Art Gallery, UC Riverside, CA
    Interior Worlds, Curated by Vincent Pecoil, Les Filles du Calvaire, Brussels, Belgium, 

    2004   
    The Secret History of Clay, Curated by Simon Groom, Tate, Liverpool, England
    Strike, Curated by Gavin Wade, ICA, Philadelphia, PA 
    Strange Weather, Modern Art, London, England
    The Raw and the Cooked, Curated by David Pagel, Claremont Graduate University, Claremont, CA 
    The Hollows of Glamour, Curated by Martin Clark, Herbert Read Gallery, Cantebury, England
    Game, Ferragamo, Milan, Italy
    Past Present Future: Contemporary Art 1950-present, 2003/2004. The Art Institute of Chicago, Chicago, IL
    Sign Language, Museum of Contemporary Art, Los Angeles, CA

    2003
    Watershed, Curated by Diane Shamash, Minetta Brook, New York, NY
    Breathing Water, Curated by Ugo Rondinone, Hauser & Wirth & Presenhuber, Zurich, Switzerland
    Utopia Station, Curated by Molly Nesbit, Hans Ulrich Obrist and Rirkrit Tiravanija, Venice Bienalle, Venice, Italy
    Black Rainbow, Curated by Anne Collier, Lucky Tackle, San Francisco, CA 
    160 Master Drawings, Curated by Michael Neff, Oldenburg Kunstverein, Oldenburg, Germany
    Works for Giovanni, China Art Objects Galleries, Los Angeles, CA
    2002 Cola Grants, Barnsdall Art Park, Los Angeles, CA
    LEI. Women in Italian Collections, Curated by Francesco Bonami, Fondazione Sandretto Re Rebaudengo, Torino, Italy,
    Hover, Curated by Pamela Meredith, The Henry Art Gallery, Seattle, WA
    Artist’s Gifts, Musuem of Contemporary Art, Los Angeles, CA
    Game, Ferragamo, New York, NY
    From the Flat Files, Curated by Brian Butler and Amada Cruz, Ramp Gallery, Hamilton, New Zealand
    3-D, Curated by Mark Fletcher, Friedrich Petzel Gallery. New York, NY

    2002  
    hell, neugerriemschneider, Berlin, Germany
    Richard Hawkins, Stan Kaplan and Pae White, Richard Telles Gallery, Los Angeles, CA
    Group Show, Metro Pictures, New York, NY
    Strike, Curated by Gavin Wade, Wolverhampton Art Gallery, Wolverhampton, England 
    Intangible, exposición homenaja a Luis Barragán, Curated by Carlos Ashida, Casa ITESO Clavigero, Guadalajara, Mexico 
    Strolling Through and Ancient Shrine and Garden, Acme, Los Angeles, CA
    Bosco, Brain Multiples, JRP éditions, Small Noise, Air de Paris, Paris, France
    John Miller, Pae White and Fred Wilson, Metro Pictures, New York, NY
    Shimmering Surfaces, Curated by Catsou Roberts, Arnolfini Museum, Bristol, England and Cornerhouse, Manchester, England
    Center of Attraction, Contemporary Art Centre, Vilnius, Lithuania, curated by Tobias Berger August 1 - 31, 2002, LA Louver Gallery, Venice, CA
    New Work, New Spaces, Curated by Jay Belloli, Armory Center for the Arts, Pasadena, CA
    featherweight, Susan Hobbs Gallery, Toronto, Canada.
    The Americans. New Art, Curated by Mark Sladen, Barbican Gallery, London, England
    Extra Art: A Survey of Artist’s Ephemera 1960-1999, Curated by Steven Leiber, The California College of Arts and Crafts, San Francisco, CA
    The Cult, China Art Objects Galleries, Los Angeles
    Dedalic Convention, Curated by Liam Gillick. and Annette Kosak, Museum für Angewandte Kunst, Vienna, Austria, 
    Zero Gravity, Kunstverein, Düsseldorf, Germany
    Rogue Wave, LA Louver, Los Angeles, CA
    Over…, Unlimited Contemporary Art, Athens, Greece

    2000  
    LA, Monika Sprüth and Philomene Magers, Cologne, Germany          
    Cheeseburger
    , Jürgen Becker Galerie, Hamburg, Germany          
    Circles ?3
    , Zentrum für Kunst and Medientechnologie, Karlsruhe, Germany          
    Made in California, 1900 - 2001
    . Los Angeles County Museum of Art, Los Angeles, CA
    Redrawing the Line, Curated by Monica Amor, Art in General, New York, NY
    Sex in the Country, Curated by Mai Tu Perret. Forde, Espace d’art contemporain L’Usine, Geneva, Switzerland
    Works on Paper, Studio Guenzani, Milan, Italy
    What if, Curated by Maria Lind, Moderna Museet, Stockholm, Sweden
    Against Design, Curated by Stephen Beyer.Institute of Contemporary Art, Philadelphia, PA

    1999  
    OldNewTown, Curated by Liam Gillick, Casey Kaplan, New York, NY            
    Papermake, Modern Art, Inc., London, England           
    After the Goldrush, Curated by Lia Gangitano and Joseph Wolin. Threadwaxing Space, New York, NY 

    1998  
    Abstract Painting, Once Removed, Curated by Dana Friis-Hansen, Contemporary Art Museum, Houston, TX (catalogue)
    Color Fields, Curated by David Pagel, Luckman Fine Arts Gallery, Cal State LA, Los Angeles, CA           
    Biomorphic Abstraction, Curt Marcus Gallery, NY, NY.           
    L.A. Current Looking at the Light, 3 Generations of LA Artists, UCLA at the Armand Hammer Museum of Art, Los Angeles, CA
    WAHLVERWANDTSCHAFTEN, Art & Appenzel, Appenzell, Switzerland
    Hirsch Farm Project Now: Speculative Environment, Theme Song and  Wisconsin Open House, MCA, Chicago, IL          
    PhotoImage: Printmaking 60’s to 90’s, Museum of Fine Arts, Boston, MA
    LA or Lilliput? Curated by Michael Darling, Long Beach Museum of Art, Long Beach, CA (cat)           
    Flaming June, Curated by Sarah Gavlak, works on paper, inc., Los Angeles, CA          
    Love at the End of the Tunnel, or the Beginning of a Smart New Day
    , Curated by Marilou Knode, COCA, Seattle, WA (catalog)
    The Unreal Person, Curated by Irit Krygier, Huntington Beach Art Center, Huntington Beach, CA (catalogue)
    Three Day Weekend, Curated by Dave Muller, Krinzinger Gallery, Vienna, Austria
     In the Polka Dot Kitchen, Curated by Sally Elesby, Otis Art Gallery, Los Angeles, CA and The Armory Center for the Arts, Pasadena, CA (catalogue)

    1997  
    Enterprise, Curated by Christoph Grunenberg, ICA, Boston, MA (catalogue)
    Elusive Paradise, Curated by Connie Butler and Stacia Payne, Museum of Contemporary Art, Los Angeles, CA
    Best of the Season, Curated by Harry Philbrick, Aldrich Museum, Ridgefield, CT
    New Acquisitions and Work from the Permanent Collection, Los Angeles County Museum of Art, Los Angeles, CA
    No Small Feet, Rhona Hoffman Gallery, Chicago, IL                 
    [re] - meditation: The Digital in Contemporary American Printmaking, 22nd 
    International Biennial of Graphic Arts, Ljubljana, Slovenia (catalogue)          
    Her Eyes are a Blue Million Miles, Curated by Dave Muller. Three Day Weekend in Mälmo, Sweden          
    Ten Los Angeles Artists, Stephen Wirtz Gallery, San Francisco, CA
    New Grounds, University of South Florida Contemporary Art Museum, Tampa, FL 

    1996  
    Landscape Reclaimed, Curated by Harry Philbrick, The Aldrich Museum, Ridgefield, CT (catalogue)
    Just Past: The Contemporary in MOCA's Permanent Collection, Museum of Contemporary Art, Los Angeles, CA
    True Bliss, LACE, Los Angeles, CA (catalogue)
    Muse-X Editions recent publications, Santa Monica Museum, Santa Monica, CA
    Sally Elesby/Pae White, Curated by Lisa Overduin, Four Walls, San Francisco, CA
    Mod Squad, Curated by Michael Darling, Spanish Box, Santa Barbara, CA 
    Ginny Bishton Richard Hawkins Pae White, Richard Telles Gallery, Los Angeles, CA
    Open House, Williamson Gallery, Art Center College, Pasadena, CA (catalogue)
    HAWAII, with Jorge Pardo, Friedrich Petzel Gallery, New York, NY
    Saturday Night Fever, Curated by Michael Cohen and Catherine Liu, Tom Solomon’s Garage, Los Angeles, CA
    filmcuts, neugerriemschneider, Berlin, Germany          
    neotoma
    , Curated by Renée Petropoulos and Ann Ayers, Otis Gallery, Otis College of Art and Design, Los Angeles, CA 

    1995  
    Youth Culture ate My Dog (but I don't really mind)
    , Curated by Kathryn Hixson, Joe Scanlan and Irene Tsatsos. TBA, Chicago, IL (catalogue)
    Smells Like Vinyl, Curated by Sarah Seager and Thad Strode, Roger Merians Gallery, New York, NY           
    Message is the Medium, Castle Gallery, College of New Rochelle, NY           
    Pure Beauty, Curated by Ann Goldstein, The American Center, Paris, France and MOCA, Los Angeles, CA
    Notational Photography, Curated by Friedrich Petzel, Petzel/Borgmann and Metro              
    Pictures, New York, NY
    The Art of Seduction, Curated by Bonnie Clearwater, The Center Gallery at Miami 
    Dade Community College, Miami, FL. (catalogue)
    Watt, Curated by Goose Oosterhof and Chris Dercon, Witte de With, Rotterdam and the Kunsthal, Rotterdam, Netherlands
    Identity: The Logic of Appearance, Curated by Shoshana Blank, Krinzinger Gallery, Vienna, Austra 
    Bad Girls, Curated by Marcia Tucker, The New Museum, New York. 
    Plane Structures, Curated by David Pagel, Otis Art Gallery, Los Angeles, Renaissance 
    Society, Pittsburgh Center for the Arts, and White Columns, Wesleyan University Center, Nevada Institute of Contemporary Art, University of North Texas Art Gallery (catalogue)
    Green, Curated by Wendy Adest, Bradley Building, Los Angeles, CA 
    Transtextualism, Curated by Sabina Ott, Mark Moore Gallery, Santa Monica, CA

    1993  
    Cherry Bomb, Curated by Mike Blockstein and Meg Mack, Southern Exposure, SanFrancisco, CA
    TIMES, Curated by Andrew Cross, Anderson O’Day Gallery, London, England           
    Home Alone, Curated by Michael Cohen, Bliss Gallery, Pasadena, CA           
    The Imp of the Perverse, Curated by Alisa Tager, Sally Hawkins, New York, NY.           
    Sugar n’ Spice
    , Curated by Carolanne Klonirides and Noriko Gamblin Long Beach Museum of Art, Long Beach, CA (catalogue)
    Into the Lapse, Curated by Brian D. Butler and Jean Rasenberger, Karsten Schubert, London, Friesenwall 120, Cologne, Germany  Dogenhouse, Leipzig, Bruno Brunnet 
    Fine Arts, Berlin, The Royal Danish Academy of Art, Copenhagen (catalog), Société des Expositions, Palais des Beaux- Arts, Brussels, Belgium

    1992  
    Summer Show, Shoshana Wayne Gallery, Santa Monica, CA           
    Group Show, Elizabeth Koury, New York, NY           
    Recent Purchases From the Roseview Collection
    , Curated by Sally Elesby, Roseview Museum, Los Angeles, CA
    Detour, Curated by Barbara Duncan and Sandra Antelo-Saurez, International House, New York, NY (catalogue)

    1991  
    The Lick of the Eye, Curated by David Pagel Shoshana Wayne, Santa Monica, CA
    Sam Durant, Ed Suman, Andrew Winer and Pae White, Parker Zanic, Los Angeles, CA                     
    Window on L.A., Curated by David Pagel, L.A. Art Fair. (catalogue)

    1990  
    Mixed Media, Mixed Messages, Curated by Paul Darrow, Lang Art Gallery, Scripps College, Claremont, CA
    The White Show, W.C. Gallery, Curated by Tom Dolan and Mark Stritzel, Art Center College of Design, Pasadena, CA
    Art Center and UCLA at Cal Arts, California Institute of the Arts, Valencia, CA



    Selected Bibliography

     

    2010   
    Taschen, Angelika. Interiors Now, Taschen, 106, 110-111 illus.
    Jackson, Candace. “The Whitney Biennial turns 75”, The Wall Street Journal, (January 8), W-18 illus.
    A House is Not a Home, Exh. cat., BE Contemporary, Paris, France, illus.
           
    Spiller, Nancy. “Smoke and Mirrors”, Arroyo Monthly, (February 2010), 36 – 37 illus.
    Walker, Alissa. “Team Hollywood”, The Architectural Newspaper, (January 27, 2010), 4
    Camhi, Leslie. “Smoke Signals”, Vogue, (March), 404 illus.
    “Questionnaire”, Frieze, (March), 140
    Emerling, Susan. “A larger-than-life world view”, Los Angeles Times, (April 18), E-2, 11 illus.
    “Jeanne Greenberg Rohatyn”, New York Times, (Design Spring), T-90 illus.
    “Live your Art”, Art + Living, (Winter), 106 – 109
    Børge, Maria. “Illusjonisten”, Backstage, Intermagasin for Den Norske Opera & Ballett, 8 – 9, illus.
    Yablonsky, Linda. “Women’s Work”. New York Times Style Magazine, (Spring), 142-144
    Young, Emily. “Artistic Intuition”, California Home + Design, (April), 96 – 103, illus.
    2010, Whitney Biennial exhibition catalogue, Whitney Museum, New York, 122 – 123

    2009
    Galler, Baudouin. Pae White chez Xavier Hufkens, Le Vif/L’Express Weekend, (January 23), 30 – 31 illus.
    Holzworth, Hans Werner (ed). Art Now 3, Taschen Verlag, 508 - 511 illus.
    Hammer Projects 1999 – 2009, Hammer Museum, University of California, Los Angeles, 206-211 illus.
    Knight, Christopher. “An Invitation to Marvel”, Los Angeles Times, (October 9), D16 and D17, illus.
    Kunst and Architecture, 2009, Birkhäuser Verlag, AG, 169 illus.
    Rus, Mayer. “Beyond Modernism”, Los Angeles Times magazine, (December), 74 – 79 illus.
    Pagel, David. “A touch of melancholy”, Los Angeles Times, (June 5), D18
    Making Worlds, Exh. cat., 53rd Venice Biennale, 166 – 167 illus.
    Ng, David. “Biennial selects a dozen localities”, Los Angeles Times, (December 12), D2
    Milia, Maria. “I chioccolatori alla Biennale d’arte”, MessaggeroVeneto, (June 7), X
    “Environments”, I.D., (July/August), 75 illus.
    Burns, Charlotte. “Pae White Creates a City of Dreams”, The Art Newspaper, (December 2), 4 illus.
    Ferguson, Russell. “I Had Never Seen Anything Like It”, Larry Johnson, Hammer Museum, Los Angeles, 69 illus.
    The Judith Rothschild Foundation, Contemporary Drawing Collection, Catalogue Raisonné, Museum of Modern Art, 281 illus.
    “Art Basel Gets Creative” New York Times, Weekend Arts, C28
    Strauss, Bryson. “A Natural Muse”, Artillery, Vol. 4, Issue 1, (September/October), 58 -59 illus.
    il Venezia, cover image, (June 5)
    Baker, Kenneth. “Pae White”, San Francisco Chronicle, (October 10), E2 illus.
    Buckley, Annie. “Pae White”, www.artforum.com, (May 25)
    Reed, Victoria. “The Port is ‘moving in a new direction’”, The San Diego Union Tribune, (November 15), E7
    Rosenberg, Karen. “Miami Fair: Big Pieces, Smaller Prices And Relief”, New York Times, (December 5), C1, C5
    Installations Inside/Outside, Exh. cat., Armory Center for the Arts, Pasadena, California
    Lorent, Claude. “Le dedans; Daniel Buren rend le vide present, Pae White dilue un arbre millenaire.”, La Libre Belgique, (Janvier 5), Arts 4-5 illus.
    Vuegen, Christine. “Kunst kust het leven”,
       
    2008   
    Pae White - Lisa Bright and Dark, Exh. cat., Scottsdale Museum of Contemporary Art, Scottsdale
    Charpentier, Corinne (ed). Centre D’Art Contemporain La Synagogue de Delme, les presses du réel, 142 – 151 illus.
    Herbert, Martin. “Smoke”, Art Monthly, (November), 321 – 322 illus.
    Stoker, Neil. “Unconventional Classification”, Culture Wars, www.culturewars.org.uk, (November 28)
    Sherwin, Skye. “Pae White”, 10, (Winter) 102 – 103 illus.
    Grabner, Michelle. “Makers and Modelers: Works in Ceramic”, X-TRA, Volume 10, Number 3 (Spring), 54 – 55 illus.
    Morgan, Susan. “Polka Dot Geometry”, Modern Painters, (November), 30 – 31 illus.
    “Loggetto Del Mese”, Grazia Casa, (October), 19 illus.
    “Abitare con L’Arte”, Elle Décor Italia, (Settembre Anno 19) N. 9, 254 – 256 illus.
    Noé, Paola. “Pae White at Galleria Francesca Kaufmann”, Artforum, (September), 479 illus.
    “Under the Influence Pae White”, ArtReview, Issue 25, (September), 40
    Vaillant, Alexis (ed). Legende, Exh. cat., Domaine Departemental de Chamarande, Sternberg Press, 207 illus.
    GSA Art in Architecture Selected Artworks 1997 – 2008, 93 illus.
    Coomer, Martin. “Pae White”, Modern Painters, (March), 85 illus.
    Folkestone Triennial, Exh. cat., Cultureshock Media Ltd., The Creative Foundation, Folkestone, Kent, 108 – 111 illus.

    2007
    “Art From Anything”, Jerry Stein, The Cincinnati Post Sculpture Projects Muenster, Edited by Brigitte Franzen, Kasper König and Carina Plath, Published by Verlag der Buchhandlung Walter König, Cologne Germany, pp. 287 – 293, illus.
    Idylle, Traum und Trugschluss (Illusion and Delusion), Edited by Oliver Zybok, Published by Hatje Cantz Germany, pp. 241 – 243. Illus. 
    “Pae White” Friederike, Wulf. ArtInvestor, Nr. O3/2007, pp. 58 -61, illus.
    “Collector’s Choice: Collection 2”, Published by Daelim Contemporary Art Museum, South Korea, illus. p. 59
     “Directions: Virgil Marti and Pae White”, exhibition booklet, Hirshhorn  Museum and Sculpture Garden
     “Step Into My Parlor”, Glenn Dixon, The Washington Post Express Paper, March 8, 2007
     “Darling, take Fountain”, exhibition catalogue. Kalfayan Galleries, Athens, Greece. Curated by Konstantin Kakanias. Illus. 84 – 85
     “DLD Book for Friends”, Published by NIGHTFROG and Hubert Burda Marketing & Communications Gmbhp.177
    Running around the Pool, Contemporary Drawings, exhibition catalogue, Museum of Fine Arts, Florida State University, Illus. 20, 28
    Half Square, Half Crazy, exhibition catalogue, published by Villa Arson, Nice, France. Illus. pp. 88, 89, 92, 93 and 96 “Under the Carpet”, Anna Sansom, DAM No. 14, December 2007 – January 2008, pp. 64 – 69. Illus. 68 - 69

    2006
    “Il diavolo del focolare”, (ex. cat.), Triennale di Milano, Milan, Italy. Texts by Luigi Settembrini, Claudia Gian Ferrari, Consuelo Císcar Casabán, Paolo Mereghetti and Francesca Sorace. Electra Publishers pp.103-106 and 178 –181, illus. 
    An old way of playing with light, new results, Alan G. Artner, Chicago Tribune, May 19, 2006 p. 27
    HyperDesign, catalogue to accompany exhibition. Published by the Shanghai Fine Art Publishers, Shanghai, China. Editors: Fang Zengxian and Xu Jiang Illus. pgs 160 - 163
    Browne, Alix. Perchance to Dream, New York Times Style Magazine, Design Fall 2006, p. 54, illus.
    Eva Hesse: Sculpture, The Jewish Museum and Yale University Press, p. 46, p. 47, illus.
    Pae White, Terry Myers, Time Out Chicago, May 25 – June 1, 2006, p. 70 illus.
    Glass: Material Matters, Los Angeles County Museum of Art, Los Angeles texts by Howard Fox, p. 48 illus.
    No. 1, First Works by 362 Artists, Francesca Richer and Matthew Rosenzweig, Thames and Hudson, p. 40 illus.
    Durrant, Nancy. Creative vision with strings attached, The Times, June 24 – 30, 2006, p. 36 – 37 illus.
    Hainley, Bruce. Ongeleide activiteit Los Angeles, Deel 2 Vluchtige notities 1985 – 2006, Metropolis M, No. 3 2006 June/July pp. 75 – 79 and 106 – 107, p. 78 and 106 illus.
    Karr, M.J., “Accommodate”, exhibition catalogue, St. Paul St, School of Art and Design, AUT University, Aukland, New Zealand, Curated pps 1 and 4, illus.
    Hainley, Bruce. “Artquake”, The New York Times Magazine, October 1st, 2006, pp 78 – 85
    Clifford, Andre. “Highly mobile whirl of form and colour”, The New Zealand Herald, October 4, 2006. Pp
    Frieze Projects, Polly Staple editor, published by Frieze magazine, London UK, illus 72 – 73

    2005  
    Inner Cities, ArtReview, March 2005, pg. 60, illus.
    Brian Wilson, An Art Book, Published by Four Corners Press, London, UK illus. 128, 135          
    Clare, Jessica. Sweeney slips to side, Highlander, Tuesday, January 11, 2005 pg 16          
    Gaasch, Cynnie. Juicy Cool, Artvoice, July 21-27, 2005 pg18          
    Coles, Alex. Functioning Decoration, contemporary, issue 75, pg 22 - 25           
    Extreme Abstraction, Published by The Albright Knox Art Gallery, Buffalo, NY          
    Finch, Charlie. Buffalo Soldier, www.artnet.com, Tuesday, August 9, 2005

    2004  
    Vogue Italia, January 2004, A Pure and Simple Fashion Story  pg. 154 - 161, illus. pg.160          
    The magnificent seven
    , Artreview, October 2004, pg. 35          
    Frieze Art Fair
    , Art & Auction, October 2004, pg.82
    Von Haase, Bettina. Londra lancia la sfida del contemporaneo, Panorama, Oct. 7, 2004          
    Corbetta, Caroline, Art in Fair, L’Uomo Vogue, October 4th          
    Rainbow Rovers gather for art fair
    , Birmingham Post, October 18th          
    Searle, Adrian. Her Dark Materials, The Guardian, October 19th, pg. 12 – 13          
    The Art of Rover
    , Autocar Magazine, October 26th          
    Frieze already an established British tradition
    , The Art Newspaper, October 2004          
    Camhi, Leslie. People are Talking About Art, Vogue, November 2004          
    Pécoil, Vincent. Pae White, Flash Art, October 2004, pg. 130, illus.          
    Nelson, Arty. The Many Colors of Pae White LA Weekly, pg. 46, illus.          
    Cheng, Scarlet. String music, improvised, Los Angeles Times, Thursday, Feb. 26, 2004 pg. E16-17 illus           
    Tumlir, Jan. Pae White UCLA Hammer Museum, Artforum, Summer 2004, pg. 255           
    Pecoil, Vincent. Amps and Ohms, Ohms and Amps, Zéro Deux No. 37, automne 2004, pgs. 24 – 25, illus.
    Lavrador,  Judicaël. Modes & Travaux,  les Inrockuptibles, June 13, 2004, issue 449, pgs.  60 - 61, illus.
    Pagel, David. Filaments hold the firmament, Los Angeles Times, Friday, Feb. 13, 2004 pg. E22 illus.
    A Secret History of Clay exhibition catalogue, Tate Liverpool,  illus. Pg 89           
    Charlesworth, JJ. Deep Surfaces: The Hallows of Glamour, Annual Herbert Read Gallery, Kent Institute of Art and Design, illus. 71, 72, 73, 95-101           
    Allen, Jane Ingram. “Beacon New York, A Sculpture Destination”, Sculpture, July/August 2204, pgs. 41 - 45
    Ramade, Bénédicte. Pae White, la versatilité comme vertu, L’OEIL, Septembre 2004, pgs. 22 - 23 illus.           
    Von Schlegell, Mark. String Theories, art on paper, March/April 2004, pgs. 58 -59 illus.          
    Behn, Andrea. Pae White, Gingeråle, pgs. 44-45, illus.           
    LaFuente, Pablo. If I could change…, ArtReview, 82 - 83. illus.
    Riding Metro Now an Artistic Experience, Tolucan Times & Canyon Crier, April 7, 2004

    2003  
    Corbetta, Carolina. Glitter, Vogue Italia, January, 2003, pg. 63 illus.           
    Tumlir, Jan, Spinning One’s Wheels in L.A., Flash Art, 102 - 105, illus.           
    Pae White Hotlist, Artforum, Feb. 2003, pg. 38           
    Sculpture Forever. Flash Art, July/September 2003, 107 illus.           
    Morozzi, Cristina. Borderline Branches The Plan 138 - 139 illus.   
    Princenthal, Nancy. A 10-Part Hello Along the Hudson, The New York Times, Arts and Leisure Section, 20
    Eggel, Caroline and Christiane Rekade, Malewitsch Neue Review, Mai 2003, pp. 10 - 11           
    Casciani, Stephano, In assenza di gravità, Domus (fashion supplemento), April  2003, 74 illus.          
    Casadio, Mariuccia. Set Design, Vogue Italia, March 2003, 602 (illus.)
    Scott, Andrea, “It’s not just men on horses anymore”, Time Out, New York, May 29-June 5, 2003, pg. 69            
    Boettger, Suzaan. “Report from Beacon”, Art in America, June 2003, pg. 39          
    Kastner, Jeffrey. “Watershed”, Artforum, October 2003, pg. 175          
    Pederson, Victoria. “Hudson News”, Art & Auction June 2003          
    David, Joshua, Happening Valley, Gourmet, April 2003, pg. 60          
    Romeo, Filippo, Customizing, Case da Abitare, Aprile, 2003, p. 64           
    Circles (exhibition cat.) Editor, Christoph Keller, pp. 162-163

    2002  
    Laurence, Robin. Of Costumes, Clouds, and Culture, The Georgia Straight, April 25 – May  2, 2002, p.62
    Morgan, Lynn. L.A. Louver’s Rogue Wave, California Homes, Winter 2001-2, pp. 110-114
    Coomer, Martin. Pae White, London Time Out, Jan. 30 – Feb. 6, 2002, p. 46          
    Psibilskis, Liutauras, 8th Baltic Trienniel, Flash Art, October 2002, p. 99 illus.          
    Higgie, Jennifer. Luxe, calme et volupté, Frieze, Issue 66, April 2002, p. 64 – 69          
    Andersson, Patrik, Pae White, Tema Celeste, September/October, p. 95          
    Haynes, Rob. All that Glitters on Show, Metro, July 2002          
    Hunt, Ian. Shimmering Substance, Art Monthly, June, 2002, p. 39 - 42          
    Clark, Robert. Time to untangle theoretical threads, ArtReview, June, 2002          
    Gledhill, David, substance and style, City Life, July 31 - Aug. 8, 2002

    2001  
    Smith, Juliet, Visiting artist considers changing urban landscape, The Daily News, Monday, August 5, 2002, p. 4           
    Extra Art: A Survey of Artist’s Ephemera, 1960-1999 exhibition catalogue, published by  Smart Art Press, exhibition at the California College of Arts and Crafts, San Francisco, CA, Curated by Stephen Leiber, p. 186, illus.
    Pagel, David. “New Works”  Show Reopens the Pasadena Armory, Los Angeles Times, Friday, April 19, 2002 pg. F24  illus.
    Coles, Alex. Art Décor, Art Monthly, Issue 253, Feb. 2002, pp. 7 - 10          
    Sherman, Sam, Strolling Through an Ancient Shrine and Garden, Contemporary, July/August 2002, p. 153
    Ebner, Jörn. Aur Liebeskummer der Rollschuh-Unfall, Frankfurter Allgemeine Zeitung,Feb. 9, 2002, S. 58
    Myers, Terry R., The American: New Art, artext, Spring 2002, pg. 81-82           
    Just Call it Art on the Hudson
    , The New York Times, December 13, 2002, E39          
    Wakefield, Neville, l.a. story, Travel and Leisure, Feb. 2002, pg. 128          
    Farquason, Alex. The American: New Art, Artforum, March 2002, p. 136, illu.          
    McLaughlin, Amy, Artwork takes shape at Library, Chicago Daily Herald, March 5, 2002 

    2001  
    Knight, Christopher. The Everyday on a Pedestal, The Los Angeles Times, Wednesday, January 31, 2001 pg.F1 and F8
    Berg, Ronald, “Form follows form”, Der Tagesspiegel, February 10, 2001          
    Corrigan, Susan, “New York Sucks”, ID, September 24, 2001, pp. 183-191          
    Herbert, Martin, “State of the Arts”, Art Review (London), Autumn, 2001, pp. 50-51           
    “The Americans, New Art”, published by Booth-Clibbons Editions, pp. 77 – 83, illus.           
    illus. Art Issues, September/October 2001, pp. 35 - 39          
    Cutter, Kimberly, “East Side Story”, W, September, 2001, pp. 204-208          
    Sharp, Amanda, “The Americans”, Arena Homme +, Autumn, 2001          
    Unruh, Rainer; Junge Kunst aus Kalifornien; Kunstforum International; April-Mai 2001; Bd. 154, S.384-38
     “Pae White”, Women Artists, Taschen Publishers           
    Stange, Raimar; Über Pae White; Artist Kunstmagazin; 2/2001, S.4-7           
    Végh, Christina; Pae White: Die (unerträgliche) Leichtigkeit des Seins; Catalogue. Zero Gravity; Kunstverein für die Rheinlande und Westfalen, Düsseldorf; 21.4.- 17.6. 2001
    Imdahl, Georg; Raus aus der klaustrophobischen Bodenstation; Frankfurter Allgemeine Zeitung; 5. Mai 2001, Nr.104, S.44

    2000  
    Sozanski, Edward J., “Along the fuzzy boundary between design and art”, The Philadelphia Inquirer, Sunday, February 13, 2000, A-11
    Cienfuegos, Ingeborg. “Konst på gränsen”, Aftonbladet, May 5, 2000
    Gerell, Boel. “Behovet av en förlaga”,  Kvällsposten, July 23, 2000
    Olsson, Thomas. “Moderna Museet tänker om”, Ystads Allehanda, May 5, 2000 Vickström, Lars. “Utställning med alltför få tankar”, Arbetet Ny Tid, May 21, 2000
    Scanlan, Joe., “What’s the Use”, Eyestorm, http:www.eyestorm.com /feature/ED2n_article.asp?article_id=122 Myers, Terry R., “Pae White”, Art & Text, May

    1999
    McFarland, Dale. “Pae White, geengrassi, London”, Frieze, March, 1999
    Pagel, David. Los Angeles Times, Friday, December 17, 1999 pg F34
    Freeman, David. “Pae White and Victor Estrada at Finesilver”, VOA, July 99, pp.14 –16
    Krygier, Irit. “Report from L.A.”,http://www.artnet.com/magazine/reviews/krygier6-3-99.html#11
    Intra, Intra, Giovanni. “La struttura mobile”, Tema Celeste, February, 1999, pp.50 - 55
    Frank, Peter. “Color Fields”, L.A. Weekly, January 8 - 14, 1999           
    Brinsfield, James. “Signing and Signifying Abstract Art Returns” Kansas City Review, June, 1999 pg. 18
    Thorson, Alice. “Show will please, but not with ease”, May 16, 1999, J-1 (illus.)           
    Holland, Cotter, “Soho is still very much Soho”, The New York Times, Friday, February 12

    1998  
    Johnson, Patricia. “Abstract artists redraw boundaries of painting”, Houston Chronicle, Oct. 7,1998
    Dawson, Angela. "Into the Streets". Adweek, vol. XLVIII No. 8, February 23, 1998           
    Wilson, William. “Food Preserved With a Twist”, Los Angeles Times, Tuesday, Oct. 20, 1998 F5
    Johnson, Ken. “Biomorphic Abstraction”, New York Times, Friday, December 11           
    Curtis, Cathy. “Dressing the Flesh”. The Los Angeles Times, May 12, 1998, F2           
    Marlos, Daniel. “What’s That Bug?”, American Homebodies, July 1998           
    Wilson, William. “Lilliput’: Small Art in the Big City of L.A.” Los Angeles Times, Tues., Nov. 24,  
    Schoenkopf, Rebecca. “I Loathe LA”, Orange County Weekly, December 18 - 24, p. 36           
    Lunenfeld, Peter,  “The Alchemical Portrait”, Telepolis

    1997  
    Scanlan, Joe. "Pae White", Frieze, November-December 1997, pp. 89-90.           
    Lunenfeld, Peter. “Jennifer Steinkamp, Light in Space” Art/Text 58, p. 62           
    Hill, Shawn. "The pursuit of absence", Bay Windows, August 28, 1997, p.30           
    Temin, Christine. "Christoph Grunenberg is bringing the world to the ICA". The Boston Sunday Globe, July 13, 1997 
    Zimmer, William. "A Gallery Sampler at the Aldrich", The New York Times, December 14.            
    Brennan, Michael. "Pae White at I-20" Art-net, http://www.artnet.com           
    "Oblique Strategies", EYE, Vol. 6, Spring 1997, p. 34 - 35           
    “Papier in den Reißwolf, Draht ums Blatt", Art, November 1997, p.22 (illus..)           
    "Not Your Average Christmas Cards", I.D., March/April 1997, p.33           
    Huffstutter, P.J. "Digital Fine Art", Dailey News, Jan. 20, 1997, p. B-1           
    Duehr, Gary. "Beam up to the ICA's Enterprise" The TAB, July 29-Aug. 4, 1997, p. 2B           
    Silver, Joanne. "Work in process". Boston Herald, July 25, 1997, p. S11 and S13.           
    Millis, Christopher. "All too clear". Phoenix Aug. 4, 1997           
    Termin, Christine. "Enterprise invites viwers to pitch in", Boston Globe, D1 and D8

    1996  
    Smith, Roberta. "Testing Limits at the Corcoran", New York Times, January 6, 1996           
    Princenthal, Nancy. "The Ghost's Machine" (cat.) illus. 1996           
    Joyce, Julie. "Fertile Ground, Neutral Territory" (cat.) illus. 1996           
    O'Brien, John. "Haus Write" (cat.) illus., 1996

    1995
    Clothier, Peter, “Pure Beauty”, ARTnews, February 1995, p.132
    Pagel, David, "Pae White", Art Issues, Nov/Dec 1995, p.44
    Kandel, Susan, Los Angeles Times, Thursday, September  28, p. 10
    O'Brien, John "New Alternatives", Art Papers, vol.19, Nov/Dec 1995, p. 29           
    Auerbach, Lisa Anne. "Table Games", Los Angeles Reader, March 31, 1995. vol 17. No. 25, p.13

    1994
    Clearwater, Bonnie., “The Art of Seduction” (cat.) 1994
    illus. DOMUS,”Projetti Projects, Frank O. Gehry”, N. 764, p. 38           
    Pagel, David., “Urban Divisions, the Green Show”, Los Angeles Times, August 4,1994, p.F5           
    Pagel, David. “Looking Into Seeing”,  Plane Structures (catalogue  essay)           
    Scanlan, Joe., “Motivation and Time in the Work of Certain Los Angeles Artists”, PlaneStructures, (catalogue essay)
    Wilson, William., “‘Pure Beauty’: Irony Becomes Stale Second Time Around”, Los Angeles Times, Sept. 28, 1994
    Breerette, Geneviéve, “Tout nouveau, tout beau”, Le Monde, June 8, 1994
    Barden, Lane., “In the Eye of the Beholder”, Artweek, Nov. 17, 1994, p.10.
    Tumlir, Jan., “A conversation with Pae White”. Artweek, Nov. 17, 1994, p. 11
    Turner, Alisa., “The Art of Seduction”, ARTnews, Summer 1994
    Muchnic, Suzanne. “Bliss, Food House, and Hello Artichoke”, Artnews, May 1994 (illus.)
    van den Boogerd, Dominic and David Lillington, “It’s real, but very fucked up,” Metropolis, March, 1994
    Turner, Elisa., “Seducing Viewers With Questions of Art” The Miami Herald, January 30, 1994, p.101           
    Kraft, Scott. “But Will the French Thank Us?” Los Angeles Times, June 5, 1994. p.6                 
    Koshalek, Richard. “American Center in Paris”, art press. June 1994, p.20           
    Colas, Sandrine. “pure beauty”, Galeries, France, June, 1994, p. 4

    1993  
    Kandel, Susan., “Pae White”, Art issues, September/October 1993, p. 43           
    Lillington, David., “TIMES”, Metropolis, no.4, 1993,  pp.47-49.           
    Barrie, Lita., “A Forest of Toys”, Visions, Winter 1993, pp. 23-24           
    Meyers, Terry R., “Girlfriend in a Coma: Notes on a Proposed Exhibition",Blocnotes, no. 2, Spring 1993, pp.12-13
    Interview with David Pagel, Bomb, Summer 1993, pp.12-13           
    Anderson, Michael. “Sugar n’ Spice”, Art Issues, May/June 1993, p. 39
    Curtis, Cathy.  “Nice n’ Subversive”,  Los Angeles Times, Orange County Edition.Thurs.,3/18/93, p. 4
    Gamblin, Noriko. “Sugar n’ Spice” exhibition catalogue published by Long Beach Museum, Long Beach, CA
    “LBMA Opens Sugar n’ Spice by a Dozen Women Artists”, Seal Beach 
    Leisure World Golden Rain News, February 18, 1993
    King, Debra. “Women’s Perspective in Art”, Westart, March 28, 1993, p. 3
    Pagel, David. “The Strange House That Pae White Built”, The Los Angeles Times, Friday, Feb. 19, 1993. p. 20
    Frank, Peter. “Intriquing works by a new generation of women artists...” Long Beach Press Telegram, March 12, 1993, p.14

    1992
    Relyea, Lane. “Politically Correct/Incorrect”, Artspace, July/August, 1992, pp.28-30
    Tager, Alisa. (essay) Detour (catalogue) 1992

    1991
    Kandel, Susan. “L.A. in Review”, Arts, November, p. 97
    Pagel, David. “Window on L.A.” catalogue essay
    Rugoff, Ralph. “Missing Persons”, L.A. Weekly, August 2, 1991, p. 27
    Gilbert-Rolfe, Jeremy. “Slaves of  L.A. and Others”, Artspace, Summer, 1991, p. 72


    SPECIAL PROJECTS/PUBLIC COMMISSIONS


    1997
    ArtPix II, Houston, Texas, curated by David Pagel.
    Windows on Wilshire, window installation for Los Angeles County Museum of Art, Los Angeles, CA
    Advertising campaign for the Museum of Contemporary Art, Los Angeles, CA

    1999
    Incidental Illumination
    , design of a children’s reading room, temporary commission by Los Angeles County Museum of Art, Los Angeles, CA 

    2000
    The New Now Sounds of Today! Songpoems by Twenty-one Contemporary Artists Limited Edition CD produced by Art Issues Press

    2001  
    Thoughts on Owls by Men of Letters, Window design for Galerie Daniel Buchholz, Cologne
    Capitol East End Complex, Block 174. Sacramento, California with Tom Marble, AIA
    Des Plaines Public Library, Des Plaines, Illinois, Patti Gilford, Art Consulting
    Palermo Building, Pasadena, CA, Kathy Lucoff, Art Consulting

    2002
    Ex-Machina Exhibition Design with Jorge Pardo, Museum für Angewandte Kunst, Cologne, Germany
    artist’s spread, Pavement magazine, August/September, 2002, pp. 152-153
    Double Vision, collaborative photo project with Mario Testino, V magazine, July/August, 2002,

    2003
    MultipliCity, Metro Rapid Line with Tom Marble, AIA
    Chiacchere Ter et Bantine, Milan, Italy
    Feast, Selfridge window display, London, UK curated by Pablo La Fuente

    2004
    Rover Momentum, artist’s project for the Frieze art fair, involving the special painting of a fleet of 15 Rover courtesy vehicles. London, UK.

    2005
    Winner of competition for the artist designed stage curtain for the New Opera House, Oslo, Norway

    2006
    Artist in Residence. The Fabric Workshop and Museum. Philadelphia, PA

     

     

    PUBLICATION DESIGN


    Jorge Pardo, Catalogue. Person's Weekend Museum, Tokyo, 1993
    Das Ende der Avant Garde, Kunst als Dienstleistung, Catalogue. Kunsthalle der Hypo-Kulturstiftung, München, 1995
    Jorge Pardo, Catalogue. Museum of Contemporary Art, Los Angeles, Museum of Contemporary Art, Chicago, 1997
    [re] - meditation: The Digital in Contemporary American Printmaking, Catalogue. 22nd International Biennial of Graphic Arts, Ljubljana,1999
    Tobias Rehberger, Jorge Pardo, Garnish and Landscape, Catalogue. Gesellschaft für Gegenwartskunst, Augsburg 1997
    Enterprise, venture and process in comtemporary art, Catalogue. The Institute of Contemporary Art, Boston 1997
    The 18th Annual Benefit Auction of Los Angeles Contemporary Exhibitions, Catalogue. Los Angeles 1998
    Global Fun, Kunst und Design von Mondrian, Gehry, Versace und Friends, Catalogue.  Städtisches Museum Leverkusen, Schloss Morsbroich, Leverkusen, 
    Schloß Moritzburg, Dresden, Ostfildern 1999 (Gestaltung in Zusammenarbeit mit Jorge Pardo und Winfried Konnertz)
    Jorge Pardo, Catalogue, The Fabric Workshop and Museum, Philadelphia 1999
    WPEP, Pae White & Victor Estrada, Catalogue.. Finesilver Gallery, San Antonio, Texas 1999
    Jorge Pardo, hrsg. Von Jörn Schafaff und Barbara Steiner im Auftrag der Landesbank Baden-Württemberg, Ostfildern 2000
    Against Design, Cat. Institute of Contemporary Art, Philadelphia, PA 2000. Curated by Steven Beyers
    What if, Catalogue (and other design collateral). Moderna Museet Stockholm, Stockholm 2000
    Jorge Pardo,  Catalogue.. Kunsthalle Basel, Basel 2000 (in Zusammenarbeit mit Jorge Pardo, Veronica Gonzales, Kunsthalle Basel)
    8th and Figueroa, Catalogue. for 2001 USC Graduate students, Los Angeles, CA 2001
    Ex-Machina, Catalogue.. Museum für Angewandte Kunst, Cologne, 2002 with Jorge Pardo
    The Object Sculpture, The Henry Moore Institute, Leeds, United Kingdom, 2002
    Pae White, Ghost Towns, Govett-Brewster Art Gallery, New Plymouth, New Zealand, 2003
    Extreme Abstraction, Catalogue (and other design collateral), Albright Knox Art Gallery, Buffalo, NY 2005


    MULTIPLES/EDITIONS

    2004
    Forumememo, Artist’s portfolio supporting the Los Angeles Forum for Architecture, edition of 25, 2004 curated by Tom Marble

    2001
    Jahresgaben
    , Kunstverein für die Rheinlande und Westfalen, Düsseldorf, Germany

    1998
    Ponygirl Edition 1998
    , Muse-X Editions, Los Angeles, CA, edition of 6

    1996
    Oblique Strategies, A More Universal Edition, Norton Family Christmas Project, Untitled Silkscreen Portfolio, Brain Multiples, Los Angeles, CA, 2000  edition of 20




     

     

     

    Sarah Braman, Sam Falls, Mark Hagen, JP Munro, Pae White - NADA
    Dec 6 to Nov 9, 2012
    Sarah Braman, Julia Dault, Sam Falls, Kim Fisher, Mark Hagen, JP Munro, Seb Patane, Jon Pylypchuk, Pae White - Frieze Art Fair and Frieze Sculpture Park
    Oct 9 to Oct 14, 2012
    Eric Wesley, Pae White - The Light of the Virgo: Kim Fisher, Piero Golia, Eric Wesley and Pae White.
    Sep 6 to Oct 11, 2008
    • 2010
      • Seeing Things | Studio Visit: Pae White , Brooke Hodge September 16 (PDF)
      • Pae White, an artist 'in the world' , Susan Emerling April 18 (PDF)
      • download all

    download all press as one PDF
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