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Sean Landers
Sean Landers
www.seanlanders.netBorn 1962, Palmer, MA. Lives and works in New York, NY
Education
1986
MFA, Yale University School of Art, New Haven, CT1984
BFA, Philadelphia College of Art, PASolo Exhibitions
2011All Around the World Alone, Friedrich Petzel Gallery, New York, NYA Midnight Modern Conversation, Marianne Boesky Gallery 64th Street, New York, NY
2009Greengrassi, London, UK
2008
Set of Twelve, Friedrich Petzel Gallery, New York, NY
2007
China Art Objects, Los Angeles, CA
Andrea Rosen Gallery, New York, NY2006
Taka Ishii Gallery, Tokyo, Japan
greengrassi, London, England2005
Galerie Giti Nourbakhsch, Berlin, Germany2004
China Art Objects Galleries & Sister, Los Angeles, CA
Kunsthalle Zurich, Switzerland
Andrea Rosen Gallery, New York, NY2003
greengrassi, London, England2002
Taka Ishii Gallery, Tokyo, Japan
Rebecca Camhi Gallery, Athens, Greece2001
Galerie Jennifer Flay, Paris, France
Andrea Rosen Gallery, New York, NY2000
greengrassi, London, England
Taka Ishii Gallery, Tokyo, Japan1999
Contemporary Fine Arts, Berlin, Germany
Andrea Rosen Gallery, New York
Gallery Presenca, Porto, Portugal1998
Taka Ishii Gallery, Tokyo, Japan
Crown Gallery, Brussels, Belgium1997
Andrea Rosen Gallery, New York
Studio Guenzani, Milan, Italy
Contemporary Fine Arts, Berlin, Germany1996
Rebecca Camhi Gallery, Athens, Greece
Regen Projects, Los Angeles, CA1995
Galerie Jennifer Flay, Paris, France
Andrea Rosen Gallery, New York, NY
Galerie Birgit Kung, Zurich, Switzerland1994
Bruno Brunnet, Berlin, Germany
Jay Jopling/White Cube, London, England
Stuart Regen Project, Los Angeles, CA1993
Andrea Rosen Gallery, New York, NY, October 22 - November 27
Galerie Esther Schipper, Cologne, Germany, April – May
Galerie Jennifer Flay, Paris, France, April – May1992
Andrea Rosen Gallery, New York, NY, February – March1991
Robbin Lockett Gallery, Chicago, IL, October – November
Marc Jancou Galerie, Zurich, Switzerland, March1990
Postmasters Gallery, New York, NY, November – December
Postmasters Gallery, New York, NY, January1989
Tom Solomon's Garage, Los Angeles, CA
Group Exhibitions2011Let It End Like This, Apexart, New York, NY
2010The Inauguration of China Art Objects in Culver City, China Art Objects, Los Angeles, CARE-DRESSING, Bortolami Gallery, New York, NYShe Awoke With A Jerk, Andrea Rosen Gallery, New York, NYAn Act of Mischievous Misleading (AAOMM), International Studio and Curatorial Program, Brooklyn, NY
2009 Translucent Threads, NY Arts Beijing, Beijing40th Anniversary Benefit Auction, White Columns, New York, NYTalk Dirty to Me, Larissa Goldston Gallery, New York, NYFloors/Walls, Galerie Giti Nourbakhsch, Berlin2008 Emerson vs. Nietzsche, Cottage Home, Los Angeles, CA2007 The Sorcerer's Apprentice, Late Picasso & Contemporary Painters, Galleri Faurschou, Copenhagen, Denmark, Curated by Max Henry2006
Defamation of Character, P.S.1 Contemporary Art Center, Long Island City, NY, curated by Neville Wakefield
From Damien Hirst's Murderme Collection: In the Darkest Hour There Will Be Light, Serpentine Gallery, London, England (catalogue)
Happiness, Berlin Bienniale, Berlin, Germany. curated by Martin Germann for 'Gagosian Gallery Berlin'
Survivor, Bortolami-Dayan Gallery, New York, NY, curated by David Rimanelli (catalogue) Test-Formed Drawing, Contemporary Art Galleries, University of Connecticut
And Therefore I Am, The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, NY2005
Walead Beshty, Sean Landers, Eriea Maneros, JP Munro & Andy Ouchi, and Michael Wetzel, China Art Objects Galleries, Los Angeles, CA
ON STAGE: Jamie Isenstein, Sean Landers, Charlemagne Palestine, Sue Tompkins, Galerie Giti Nourbakhsch, Berlin, Germany
Playtime, Henry Art Gallery, University of Washington, Seattle, WA
Take It FURTHER” (Part II), Curated by Gyonata Bonvicini, Andrew Mummery Gallery, London, England2004
Guardare, Pensare, Raccontare, Conservare, Casa del Mantegna, Mantova, Italy
Land of the Free, Jack Hanley Gallery, San Francisco, CA |
Jason Meadows, sister, Los Angeles, CA
I Am the Walrus, Cheim & Read, New York, NY. (brochure)
Tenth Anniversary Exhibition, Taka Ishii Gallery, Tokyo, Japan
Nature Study, Todd Madigan Gallery, California State University, Bakersfield, CA2003
Today’s Man, John Connelly Presents, New York, NY
Rendered, Sara Meltzer Gallery, New York, NY
Drop Out, China Art Objects Galleries, Los Angeles, CA
Influence, Identity and Gratitude (Toward an understanding if trans-generational dialogue as a gift economy), curated by Bill Arning, MIT Visual Arts Center, Boston, MA
Thatcher, curated by Tara Howard, Blue Gallery, London, England
Face/Off: A Portrait of the Artist, curated by Simon Groom, Kettle’s Yard, University of Cambridge, Cambridge, UK, traveling to Towner Art Gallery and Local Museum, Eastbourne, UK (catalogue)
Gallery Artists, Taka Ishii Gallery, Tokyo, Japan
Comic Release: Negotiating Identity for a New Generation, Regina Gouger Miller Gallery,
Carnegie Mellon University, Pittsburgh, PA, January 2003- traveling through 2004 (catalogue)2002
Center for Curatorial Studies Tenth Anniversary, Center for Curatorial Studies, Bard College, Annendale-on-Hudson, NY
To Whom It May Concern, Logan Galleries, CCAC San Francisco Campus, San Francisco, CA
Copy, curated by Neville Wakefield, Ruth Horowitz, New York, NY
Heaven Knows I’m Miserable Now, LOW, Los Angeles, CA2001
Desire Admiration Acquire, Arcadia University Art Gallery, Glenside, PA
tele(visions), Curated by Joshua Decter Kunsthalle Vienna, Vienna, Austria (catalogue)
Soyez réaliste, demandez l’impossible! Galerie Jennifer Flay, Paris, France
Extra Art: A Survey of Artists’ Ephemera, 1960-1999, Logan Galleries, California College of Arts and Crafts, San Francisco, CA
Alumni Choice: An Exhibition of Work on Paper, Yale University Art Gallery, New Haven, CT The Way I See It, Galerie Jennifer Flay, Paris, France
La Coleccion Jumex, Jumex Centro de Distribucion, Mexico City, Mexico
Salon, Delfina Project Space, London, England2000
Anos Luz, Galeria Leyendecker, Curated by Angel Luis de la Cruz Canary Islands, Spain (catalogue)
Kin, Curated by Caoimhin Mac Giolla Leith, Kerlin Gallery, Dublin, Ireland
00, Barbara Gladstone Gallery, New York, NY (catalogue)
Body Beautiful, Galerie Jennifer Flay, Paris, France
Selections from the Permanent Collection of Modern and Contemporary Art, Denver Art Museum, Denver, CO
Arte Americana, Ultimo Decennio, Curated by Claudio Spadoni, Loggetta Lomnardesca, Ravenna, Italy (catalogue)
Group Exhibition of Gallery Artists, Rebecca Camhi Gallery, Athens, Greece
Examining Pictures: exhibiting paintings, Curated by Francesco Bonami and Judith Nesbitt,
Hammer Museum, Los Angeles, CA, (catalogue) traveling exhibition1999
A Place Called Lovely, Curated by Sima Familant, GreeneNaftali, New York, NY
Gallery Swap, Contemporary Fine Arts at Sadie Coles HQ, London, England
Self Evident, Vaknin Schwartz, Atlanta, GA
Etcetera, Spacex, Curated by Alex Farquharson, Exeter, England
Examining Pictures: exhibiting paintings, Curated by Francesco Bonami and Judith Nesbitt
Whitechapel Art Gallery, London, England, travels to Museum of Contemporary Art, Chicago, IL. (catalogue)
Colección Jumex, Museo de Arte Carillo Gil, San Angel, Mexico (catalogue)
Positioning, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY
Hello Mr. Soul, Gallery 400, University of Illinois at Chicago, IL1998
Encyclopedia 1999, Turner & Runyon Gallery, Dallas, TX
Word Perfect, Gallery 400, University of Illinois at Chicago, IL
Hanging, Curated by Márcia Fortes, Galeria Camargo Vilaça, Sao Paolo, Brazil (catalogue), travels to Paco Imperial, Rio de Janiero, Brazil Museum of Modern Art, Recife, Brazil (catalogue)1997
Heart, Body, Mind, Soul: American Art in the 1990’s, Selections from the Permanent Collection, Whitney Museum of American Art, New York, NY
Tanti Video, Arcate Art Fabrica, Torino, Italy
From a Whisper to a Scream, Ten in One Gallery, Chicago, IL
Kunst..Arbeit, Sudwestdeutsche Landesbank Forum, Stuttgart, Germany1996
a/drift: Scenes from the Penetrable Culture, Bard College Center for Curatorial Studies,
Annandale-on-Hudson, NY, curated by Joshua Decter (catalogue)
Galerie Declercq, Knokke, Belgium,
Against: Thirty Years of Film and Video, Anthony d’Offay Gallery, London, England
So you want to be a rock and roll star: Artists ‘sing’ on screen, Curated by Dominic Molon, Museum of Contemporary Art, Chicago, IL
Let Me Bring You Down, curated by Two Dollar Guitar (Tim Foljahn and Steve Shelley), 148 Gallery, New York, NY
Nach Weimar, Kunstsammlung zu Weimar, Weimar, Germany, (catalogue)
Wunderbar, Kunstverein in Hamburg, Hamburg, Germany
The Factory, Curated by Emily Tsingou Athens Fine Art School, Athens, Greece (catalogue)
Toons, curated by Jacob Fabricius, Galleri Campbells Occasionally, Copenhagen, Denmark
Sammlung Volkmann zeigt: Faustrecht der Freiheit, Kunstsammlung Gera, Germany, travels to Neues Museum Weserburg, Bremen, Germany
Incestuous, curated by Tiong Ang and Carter Kustera, Thread Waxing Space, New York, NY
Sugar Mountain, curated by Paul Ha and Andrea Scott, White Columns, New York, NY
Rotterdam on Line, MK Expositieruimte, Rotterdam, The Netherlands
Young Americans: New American Art in the Saatchi Collection: Part I, Saatchi Gallery, London, England, (catalogue)1995
I’m Writing in Lacanian Ink curated by Richard Foreman and Josephina Ayerza, Deutsches
Haus, Columbia University, New York, NY
Raw Postmasters, New York, NY
Next of Kin: Looking at the Great Apes, M.I.T. List Visual Arts Center, Cambridge, MA, (catalogue)
Word for Word, Beaver College Art Gallery, Glenside, PA
Scribble, organized by Deborah Wilk, Hyde Park Art Center, Chicago, IL
New Acquisitions: An Exhibition of Artists’ Books and Multiples, Art Metropole, Toronto, Canada
Histoire de l’Infamie, Le Fonds Regional d’Art Contemporain, Auvergne, France
I Confess, Nikolaj Copenhagen Contemporary Art Center, Copenhagen, Denmark
International Festival of Films on Art, Organized by Art Faces Art, Knokke, Belgium
KOMIX, Brooke Alexander Editions, New York, NY
Auction Benefit, White Columns, New York, NY
Narcissistic Disturbance, curated by Michael Cohen, Otis College of Art and Design, Los Angeles, CA, (catalogue)1994
A series of rotating installations, Andrea Rosen Gallery, New York, NY
Recent Acquisitions from the Rivendell Collection, Bard College Center for Curatorial Studies, Anandale-on-Hudson, NY
Noritoshi Hirakawa, Sean Landers, Jan Vos, Jeanne Dunning, Galerie Drantmann, Brussels, Belgium
David’s Friends, curated by Timothy Fichtner and David Zin, Bernard Toale Gallery, Boston, MA
esprit d’amusement, Grazer Kunstverein, Graz, Austria, (catalogue)
Das Jahrhundert des Multiple Von Duchamp bis zur Gegenwart (The Century of the Multiple),
Deichtorhallen Hamburg, Hamburg, Germany, (catalogue)
Exposition, Galerie Jennifer Flay, Paris, France
Arte in Video: 22 Inches, curated by Tommaso Corvi Mora, Inter Nos and Galerie Pasquale Leccese, Milan, Italy
Sea Change: Franklin Furnace Benefit, Josh Baer Gallery, New York, NY
Die Orte der Kunst, Sprengel Museum, Hannover, Germany (catalogue)
Auto-Eroticism, Paris School of Design, Paris, France, video screening organized by Nicolas Trembley for A Bao A Qou
Can you believe your eyes? curated by Stichting con Rumore, The Museum of Contemporary Art, The Beyerd in Breda, Holland
Don’t Postpone Joy or Collecting Can Be Fun!, curated by Rudi Molacek and Barbara Steffen,
Neue Galerie, Graz, Austria, travels to Austrian Cultural Inst., New York, NY
Benefit 1994, White Columns, New York, NY
Intercourse, Curated by Pablo Gomez and Daniel Carello, Mustard, Brooklyn, NY
Kunstverein in Hamburg, Germany
Backstage, Kunstmuseum Luzern, Switzerland
Volkmann Collection, Kasper Konig, Koln, Germany
Don't Look Now, organized by Joshua Decter, Thread Waxing Space, New York, NY
Passing Through, curated by Ugo Rondinone, Galerie Walcheturm, Zurich, Switzerland1993
Tavelli Gallery, Aspen, CO
Audience 0.01, Vera Vita Gioia, Naples, Italy, curated by Helena Kontova, travels to Trevi Flash Art Museum of Contemporary Art, Trevi, Italy (catalogue)
Auction Benefit, New Museum of Contemporary Art, New York, NY
Into the Lapse, curated by Brian Butler, Royal Danish Academy of Fine Arts, Copenhagen, Denmark
Phenylovethylamour, curated by Lothar Hempel and Carsten Holler, Galerie Daniel Buchhoz,
Koln, Germany, Unfair booth #26
November, Galerie Esther Schipper, Koln, Germany
influx, Gallery 400 at The University of Illinois at Chicago, Chicago, IL
Backstage, Kunstverein in Hamburg, Hamburg, Germany, (catalogue)
Die Sprache der Kunst (The Language of Art), Kunsthalle Wien, Vienna, Austria, travels to Frankfurter Kunstverein, Frankfurt, Germany, (catalogue)
Summer Group Show, Galerie Esther Schipper, Koln, Germany
Word of Mouth, Friesenwal 120, Koln, Germany, July - August, curated by Ana de Portella,
travels to Dogenhaus Galerie, Leipzig, Germany, Butler and Stefan Dillemuth; Palais Beaux Arts, Brussels, Belgium
TranceseX: A State of Mystical Absorption, curated by Les Ayre, Erika Knerr and Amanda M.
Obering Mondrian Hotel, West Hollywood, CA
Tom Cugliani Gallery, New York, NY
Aperto 1993, in conjunction with the Venice Biennale, Venice, Italy, section curated by Nicholas Bourriaud, Standards (catalogue)
Yale Collects Yale, Yale University Art Gallery, New Haven, CT (catalogue)
Sean Landers, Raymond Pettibon, Richard Prince, Jurgen Becker, Hamburg, Germany
SOHO at Duke IV, Duke University Museum of Art, Durham, NC
Confessional, curated by Andrea Scott Liz Koury Gallery, New York, NY1992
The Anti-Masculine (Overlapping, but not corresponding to the feminine), Light Gallery, Los Angeles, CA, curated by Bill Arning (essay)
Transgressions In The White Cube: Territorial Mappings, curated by Joshua Decter, Usdan Gallery at Bennington College, Vermont
Under Thirty, Galerie Metropol, Vienna, Austria, curated by Erik Oppenheim (catalogue)
New Deal, Bruno Brunnet, Berlin, Germany
I, Myself and Others, Magasin - Centre National D'Art Contemporain De Grenoble, France, (catalogue)
Third Annual Exhibition of Collector's Choice of American Artists, Vered Gallery, East Hampton, NY
Paradise Europe, Copenhagen, Denmark, billboard project and video installation at Ny
Carlsberg Glyptotek, organized by Bizart and curated by Andrea Rosen Gallery, New York, NY; Daniel Buchholz, Koln; Galerie Maquina Espanola, Madrid; Stalke Out of Space, Copenhagen; and Galleria Paolo Vitolo, Rome (catalogue)
Into the Lapse (Program 1), 1301, Santa Monica, CA, curated by Jean Rasenberger and Brian D. Butler
Stuart Regen Gallery, Los Angeles, CA
Galerie Esther Schipper, Cologne, Germany
Free Lunch, Centre d'Art Contemporain, Martigny, Switzerland, February, organized by Erik Oppenheim
Benefit Exhibition, White Columns, New York, NY
Benefit Exhibition, Name Gallery, Chicago, IL1991
Ornament: Ho Hum All Ye Faithful, John Post Lee, New York, NY
L'Esprit Biblioteque, La Galerie du Mois, Paris, France
Pleasure, curated by Steven Saltzman, Hallwalls, Buffalo, NY
Letters, Christine Burgin Gallery, New York, NY
Videos and a Film About Some Schmoes Who Are Trying to Conform (yet miss), Robbin
Lockett Gallery, Chicago, IL
Gulliver's Travels, Sophia Ungers Gallery, Cologne, Germany (catalogue)
Words & #'s, Wright State University, University Art Galleries, Dayton, OH (catalogue)
5 Days, Thomas Solomon's Garage, Los Angeles, CA
Name Gallery, Chicago, IL
LYRIC- Uses of Beauty in the 90's, White Columns, New York, NY1990
New Jersey State Museum, Newark, NJ
Work in Progress? Work?, Andrea Rosen Gallery, New York, NY
Total Metal, Simon Watson Gallery, New York, NY
Drawings, Paula Allen Gallery, New York, NY
Postmasters Gallery, New York, NY
Benefit Exhibition, White Columns, New York, NY,
Benefit Exhibition, The New Museum, New York, NY1989
Outer Limits, Holly Solomon Gallery, New York, NY
Islip Art Museum, East Islip, Long Island, NY
American Fine Arts Co., New York, NY1988
small works show, Sculpture Center, New York, NY
Sculpture, White Columns, New York, NY
Art on the Beach, Creative Times, Queens, New York, NY1986
South Beach III, Organization of Independent Artists, Staten Island, New York, NY
Mutual Respect, Vanguard Gallery, Philadelphia, PA,Selected Bibliography
2006
Limón, Mauricio. “Error Humano.” Celeste, Summer 2006, p. 56-61.
Smith, Roberta. “Menace, Glitter and Rock in Visions of Dystopia.” The New York Times, 29 Dec. 2006, p. 39-44.2005
“The Devil Inside,” V Magazine, No. 38, Winter 2005/06, p. 52-53
Jafner, Hans-Jurgen, “Dirty Clown. Sean Landers”, Spike Art Quarterly. No. 5, September, p. 64
Lange, Christy and Dezeuze, Anna,“Bound to Fail”, TATE ETC Issue 4, Summer 2005
Scruggs, Gregg. “Art Review: Likeness, Institute of Contemporary Art”, The Harvard Independent, March 10, 2004
Rimanelli, David, “Sean Landers, Kunsthalle, Zurich”. Artforum. September p. 123
Pollack, Barbara, “The Elephant in the Room”, Art News. September, p. 118 -119
Landers, Sean. “Have You Been Thinking of Leaving New York and If So, Why?”, Text Zur Kunst, June, p.101
Papadopoulos, Helena., “An Afternoon or Two With Sean Landers”, Stripped Bare 02May
Houser, Craig. “Sean Landers”, Flash Art . May-June, p. 82 The New Yorker. March 15, p. 38
Landers, Sean. “Sean Landers: Andrea Rosen Gallery, New York”, Frieze. May, p.108
Smith, Roberta. “I am the Walrus at Cheim & Read”, The New York Times . June 25, p. E33
Smith, Roberta. “Sean Landers at Andrea Rosen Gallery”, The New York Times April 2, E35 Time Out. March 11 – 18, p. 84
Collings, Matthew. “Getting Ahead in New York”, Modern Painters. Summer, p.18-192004
Nelson, Arty. “Cherries on Top: Sister show puts sculpture on a pedestal” LA Weekly, July 2-8
Wust, Karl Dominante Rolle: Clowns und Affen, BundnerTagblatt, 28th August
Rudernde Clowns und schreibende Affen, Zurcher Unterlander, 28th August
Wust, Karl Traurige Clowns und schreibende Aggen, Schweizerische Depeschenagerntur, 28th August
Im Land der Kunstmuseen, Sonntags Zeitung, 29th August
Meier Philipp, Der Kunstler als Idiot, Affe und Clown, Neue Zurcher Zeitung, August 31st
Sean Landers – Kunsthalle Zurich, Praxis, September
Avanti Dilettanti, Die Weltwoche, No.36 September 2nd
Sean Landers, NZZ am Sonntag, 12th September
Im Atelier mit der Peitsche, Zurichsee-Zeitung, 13th Septemer
Sean Landers, L’Hebdo, 16th September
diotenbilder, Basler Zeitung, 25th September
Grandjean, Emmanuel, Les nuages de Jessica Diamond ne sont pas eternels, Tribune de Geneve, September 25th-26th September
Uberleben und Unsterblichkeit, Schweizer Illustrierte, 18th October
Landers, Sean, Sean Landers - Andrea Rosen Gallery, Frieze, Summer, p.1082003
“Not–so-iron lady,” Art Review. Vol. 1 No. 7, May, p.20
“Thatcher Years Art Show Opens”, BBC News Online. April 16
Coomer, Martin. “Sean Landers at Greengrassi”, BBC News Online June 25 – July 2, p. 57
Buck, Louisa “Sean Landers – new paintings greengrassi” The Art Newspaper. July-August
Williams, Eliza “Sean Landers - greengrassi” Art Monthly. July - August p. 44 - 45
Lyall, Sarah. “Margaret Thatcher as Muse”, The New York Times. May 12, pp. E1 & E5
Plender, Olivia. “Sean Landers, Greengrassi, London”, Frieze October, p.1262002
“Sean Landers”, Symbol. March 23, pp. 34-37
Saltz, Jerry. “Repeat Performance”, VillageVoice.com. October 72001
Cash, Stephanie. “Sean Landers at Andrea Rosen Gallery,” Art in America. November
Dannat, Adrian. “Appropriating Picasso ‘because I want to be as great as him’”, The Art Newspaper. May, p. 80
Hayt, Elizabeth. “If You Wow Them They Will Come”, The New York Times. February 18
Edelson, Sharon. “Art Course: Restaurants are turning into ad hoc galleries, displaying the work of topflight artists”, W. September, pp. 442, 444, 452, 454, 456
Kimmelman, Michael. “Sean Landers at Andrea Rosen Gallery”, The New York Times. May 4, E33
Fineman, Mia. “I, Picasso”, The Village Voice. May 15, Vol. XLVI, No. 19, p. 70
Gilbert, Andrea. “Splash”, View Magazine. Summer, p. 88 - 93
Perree, Rob. “Sean ‘Picasso’ Landers”, Kunstbeeld. July/August, p. 64-65
“Sean Landers at Galerie Jennifer Flay”, FigaroScope. September 5-11, 2001. No. 17751. p. 45
Mahoney, Robert. “Sean Landers at Andrea Rosen Gallery”, Time Out New York. April 26 –May 3, p. 63
Parker, Lauren. “Spring Art Walk Best of Show: Sean Landers at Andrea Rosen Gallery”, The New York Observer. April 16, p. 8
Siegel, Katy. Public Offerings. Exhibition catalogue published by The Museum of Contemporary Art. Los Angeles. Young Americans, p. 207-192
Wilson, Michael. “Sean Landers at Andrea Rosen Gallery”, Untitled. Summer, p. 34-35
“Goings on About Town: Sean Landers at Andrea Rosen Gallery”, The New Yorker. May 14
“A Guide to the Great Neighborhoods in New York: Chelsea”, SPUR. June, p. 1812000
Cereceda, Miguel. ABC Cultural. “Panorama de Nueva York”, November 18, p. 39
Daly, Catherine. “Kin”, The Sunday Times. July 23
Farquharson, Alex. “Sean Landers at greengrassi London”, Art Monthly. Issue 239, September
Groarke, Vona. “Kin at Kerlin”, Galleries Magazine. August
Kent, Sarah. “Sean Landers at Greegrassi”, Time Out London. July 19 – 26, p. 60-61
McLaren, Duncan. “Sean Landers at Greengrassi London”, The Independent on Sunday, July 23
Ruane, Medb. “Not such kindred spirits”, The Sunday Times. August 6, p. 10-11
“Group Show: Kin at Kerlin Gallery”, In Dublin Magazine. Vol. 25, Issue 15, July/August 2000 “Green fields of New York”, The Irish Times. July 19
Cereceda, Miguel. “Panorama de Nueva York”, ABC Cultural. November 18, p. 39
Art Club Magazine. Autumn 2000, inside cover
“Arte a la vanguardia”, Camb16. October 23, p. 90
“La obra de una treintena de artistas residented en Nueva York desembarca en Tenerife” El Dia.
“John Currin, Sean Landers and Richard Phillips,” Tema Celeste, May/June, p. 1481999
Arning, Bill. “Sean Landers at Andrea Rosen Gallery”, Time Out New York. Issue 189, May 6 –13, p. 75
Collings, Matthew. It Hurts: New York Art from Warhol to Now. 21 Publishing Ltd,Cambridge, England
Dalton, Jennifer. “Sean Landers at Andrea Rosen Gallery”, Review. May 15, p. 13
Ebony, David. “David Ebony’s Top Ten: Sean Landers at Andrea Rosen Gallery” artnet.com.
Grabner, Michelle. “Examining Pictures”, Frieze. November/December, p. 108-109
Johnson, Ken. “Sean Landers at Andrea Rosen Gallery”, The New York Times. May 14, p. E37
Lutzow, Gunnar. “Total genial”, Berliner Morgenpost. May 22, p. 29
Meyer, P.H. “Sean Landers”, Juliet art magazine. February – March, p. 42 – 43
Matsui, Midori. Masahiko Kuwahara. (exhibition catalogue from Tomio Koyama Gallery, Tokyo, Japan) “The Unnameable Margin: Masahiko Kuwahara’s Serious “Bad Painting”
Pagano, Denise. Il Giornale Dell’Arte. May, No. 177, p. 84
Paparoni, Demetrio. Tema Celeste. December, No. 76, p. 54-61
Pinchbeck, Daniel. The Art Newspaper. Vol. X, No. 92, May, p. 70
Riemschneider, Burkhard & Uta Grosenick, Eds. Art at theTurn of the Millenium. Published by Taschen. p. 298-301
Rimanelli, David. “Best of the 90’s: Abject Art”, Artforum. December, p. 122
Romano, Gianni. Bloom. Published by Contemporary Art Garden, Milan, Italy
Saltz, Jerry. “Wanting it: Sean Landers at Andrea Rosen Gallery”, The Village Voice. May 25, Vol. XLIV, No. 20, p. 142
Seigel, Katy. “Sean Landers, Andrea Rosen Gallery”, Artforum. September 1999, Vol. XXXVIII, No. 1, p.167-168.
Smith, Roberta. “Conceptual Art: Over, and Yet Everywhere”, The New York Times. April 25, Art & Leisure section, p. 1, 38
Vincent, Steven. “Sean Landers at Andrea Rosen”, Art & Auction. April 15, p. 74
Zylka, Jenni. “Trick 17 mit dem Supernichts”, Die Tageszeitung. May 27, p. 21
New York Contemporary Art Report. May-June, p. 74-75
“Looking Ahead: Millennial Visions and Old Favorites”, >The New York Times. September 12, p. 93. 96
“Sean Landers at Andrea Rosen Gallery”, The New Yorker. May 24, p. 161998
Aono, Naoko. “Culture Clash!”, GQ Magazine Japan. April, p. 154
Bumiller, Elisabeth. “Hostess of Her Own Party, 6 Nights a Week”, The New York Times. May 22, p. B2
Bussel, Abby. “Play It Again”, Interior Design June, p.138-141
Collings, Matthew. Blimey! From Bohemia to Britpop: The London Artworld from Francis Bacon to Damien Hirst, Published by 21 Publishing Ltd, Cambridge, England
Colman, David. “Chelsea Rising”, Elle Décor. August/September, p. 104, 106, 108-109
DiPietro, Monty. “The Artist as Generation Xer”, Asahi Evening News. March 26, p. 11
Fabricant, Florence. “In Chelsea, Lot 61”, The New York Times. March 11, p. F11
Fioravante, Celso. “Sobra cor e falta ruido em ‘Hanging’”, Folha De Sao Paolo. May 4, p. 5
Frank, Thomas. “Corporate Wretch”, Artforum. November, p. 27
Hogrefe, Jeffrey. “The Force behind Guggenheim’s Nudie Show”, The New York Observer. May 11, p. 26
Kawachi, Taka. “Sean Landers”, B.T. Magazine. November, p. 54-56
Kliner, Dion. “After the Disasteroid”, Flash Art. Summer, p. 113-115
Lauf, Cornelia and Clive Phillpot. Artist/Author: Contemporary Artists’ Books. Published by DAP, Inc., New York. p. 75,82 88, 157
Louie, Elaine. “The New Bohemia: Ordering : Comfortable Minimalism”, The New York Times. February 26, p. F3
Matsui, Midori. “Sean Landers at Taka Ishii Gallery”, Studio Art Magazine. April, p. 129
Nishihara, Min. “Insight Art”, Elle Magazine (Japan). April, p. 291
Viegas, Camila. “Mostra aponta rumos da pintura moderna”, O Estado de Sao Paolo. May 4, p. D1
“The Trying of Lot 61”, Art and Auction, January, p. 17
“Imaginario pop”, Folha de Sao Paolo. May 5, Section 4, p. 2
Gallery Monthly. (Japan). March, p. 31
“Sean Landers at Taka Ishii Gallery”, Gap. (Japan) May, p. 82
Globo Rio Show. “Nove faces da arte no Paco Imperial”, July 17-19, p. 9
Weekly PIA. (Japan). April 13, p. 208
Weekly PIA. (Japan). March 23, p. 1871997
Arning, Bill. “a/drift”, World Art. No. 13, pp. 74-75
Atamian, Christopher. Review. “Self-Centered”, September 15, p. 41-42
Boyce, Roger. “Reviews: Sean Landers at Andrea Rosen”, ArtNet.Com/Magazine/Reviews. website review Juine 19, 4 pages
Conrads, Martin. “Ansichten eines Clowns”, zitty. January 20, No. 2, p. 200
Fricke, Harald. “Bronx in Weimar: Kunstin Berlin jetzt: Calle, Yong, Pollmann, Brauntuch, Landers”, Die tageszeitung. January 18/19, p. 36
Heartney, Eleanor. “Sean Landers at Andrea Rosen Gallery”, Art in America. December, p. 96-97
Horodner, Stuart and Mark Sanders. “Warhol is...”, Dazed and Confused. Number 27, p. 48-51
Katz-Freiman, Tami. “Going to the Dogs: Man (dressed as Dog) Bites an Art Critic! – Notes from the front-line of the struggle for attention: New York”, Art Papers. November/December, Vol 21, Issue 6, p. 78-80
Katz-Freiman, Tami. . “Going to the Dogs: Man (dressed as Dog) Bites an Art Critic! – Notes from the front-line of the struggle for attention: New York”, Spring, 1997”, Studio Art Magazine. p. 36-40, No. 87, November
Liebmann, Lisa. “New Hughes: Blimey! From Bohemia to Britpop: The London
Artworld from Francis Bacon to Damien Hirst by Matthew Collings”, Bookforum. Winter, p. 3, 51
Pyrgioti, Eleni. “Sean Landers”, Arti. Volume 32, p. 165-166
Schwendender, Martha. Time Out New York. May 22 - 29, p. 45
Simpson, Helen. “Meat for Thought”, Modern Painters. Spring, pp. 94-96
Smith, Roberta. “Despite Changes, a Gallery Scene That’s Resilient and Vital”, The New York Times. May 9, p. C1, C24
Stein, Lisa. “Art: Ten in One Gallery”, New City. July 24, p. 22
Van de Walle, Mark. “Sean Landers at Andrea Rosen Gallery”, Artforum. December, p. 119-120 Manhattan File. April
“Talk of the Town: Sean Landers”, New Yorker. May 26, p. 20
“Movies and Films”, Point of Contact. Winter/Spring, Vol. 5, No. 1, p. 88 – 931996
Allerholm, Milou. “‘NowHere’ at Louisiana Museum, Denmark”, Index. November/December, p. 94-95, 137-138
Auerbach, Lisa Anne. “Lush Life: Sean Landers’ Intoxicating Images”, Los Angeles Reader.March 15, Vol. 18, No. 23, p. 17
Bartas, Magnus. “Slave to the Rhythm”, Index. Number 3-4, p. 93-94
Cafopoulos, Catherine. “Counting Time and Other Things”, October/November/December, Volume 31, p. 224-241
Caniglia, Julia. “Artists of the Year: The makers that mattered in 1996: Sean Landers” City Pages. December 25, Vol 18, No. 838, p. 17
Cork, Richard. The London Times. January 30, p. 38
Damianovic, Maia.. “Il Fantastico in arte”, Tema Celeste. Winter, p. 76-99
Decter, Joshua. “Sean Landers at Regen Projects”, Artforum. May, p. 108
Dorment, Richard. “A device to blow your mind”, The Daily Telegraph. January 24
Ericsson, Lars O. DN.. “Konsten som forsvann”, Kultur & Nojen. June 3, p. 1
Fineman, Mia. “the scrawl of the wild”, World Art. Number 4, pp. 76-79.
Gail, Iain.. “Iain Gale on exhibitions”, The Independent ‘Metro’. January 26
Hall, James. The Guardian. January 30
Hilton, Tim. The Independent. “No Laughing Matter”, February 1, p. 4
Honigsbaum, Mark. Evening Standard. “The great white shark of art”, January 22
Itaver, William. The London Observer. “A choc-and-doodle do”, February 4
Januszczak, Waldemar. “Gnawing Questions”, The London Sunday Times. February 4
Johnson, Paul. “What a load of old lard”, Daily Mail. January 26
Kent, Sarah. “USA-grade: Sarah Kent on ‘Young Americans’”, Time Out. January 31 - February 7, p. 46
Larsen, Lars Bang. “‘Toons’ at Campbells Occasionally, Copenhagen”, Flash Art. October, p. 75
Lyttelton, Celia. “Sean Landers”, The Now Art Book. p. 94-95, 187-188
Maloney, Martin. “Young Americans: Parts I & II”, Flash Art. May/June, pp. 108 - 109
McEwen, John. “A transparent bomb, a saucepan full of napalm”, The Sunday Telegraph. January 28
Muller, Katrin Bettina. “Ausgelutscht- Der Amerikaner Sean Landers be Contemporary Fine Arts”, Der Tagesspiegel. December 28, p. 21
Packer, William. “All chewed up over art”, Financial Times. January 30
Philippi, Anne. “wunderbar: Asthetik der Ungebung”, Spex. June
Poerschke, Ralf. Hamburger Rundschau. June 6, No. 24, p. 50-51
Rubenstein, Raphael. “Visual Voices”, Art in America. April, pp. 94-101, 133
Schreiber, Susanne. “Handelsblatt. Biographisch kodiert”, July 5 & 6,
Schwendener, Martha. “Catch My Drift?”, Time Out New York. December 12 - 19, p. 40
Seyfarth, Ludwig. “Mein wunderbarer: Malsalon”, Szene Hamburg. June, p. 88 - 90
Smith, Roberta. “Finding Art in the Artifacts of the Masses”, The New York Times. December 1, p. 43, 46
Stange, Raimar. “Wunderbar”, Artist Kunstmagazin. March, p. 44-47
Van de Walle, Mark. “Best and Worst: Music”, Artforum. December, p. 53
“Special Artists’ Project”, Dazed and Confused. Number 16, p. 95-99
“23 Kunstler stellen im Hamburger Kunstverein aus: Wunderbar subjektiv”, Hamburger Abendblatt. June 1/2, p. 23
Hvedekorn. March, p. 80-81
Le Millenium. No. 15
“Genius Lessons” (a monthly column by Sean Landers), Spin Magazine. June, p. 140
“Genius Lessons” (a monthly column by Sean Landers), Spin Magazine. July
The Village Voice. “Pop Crossover”, May 28, p. 921995
Budney, Jen. “Sean Landers: Therapy?”, Flash Art. March/April, p. 91-93
Croke, Vicki. “The draw of the wild”, The Boston Globe. November 25, pp. 21, 26
Greene, David A. “Narcissistic Disturbance at Otis Gallery”, Art Issues. March/April, p. 40
Jones, Ronals. “Sean Landers at Andrea Rosen Gallery”, Frieze. September – October, p. 75-76
Katz-Freiman, Tami. Studio Art Masazine, No. 64, August - September,
Levin, Kim. “Voice Choice: Sean Landers at Andrea Rosen”, The Village Voice. May 9, Choice section, p. 2, 3
Raffalli, Jean-Francois. “John Currin: FRAC Limousin - Limoges”, Blocnotes. Number 10, Sept/Oct, p. 82
Robinson, Walter. (introduction by) Manhattan File. “Me and My Shadow” (self-interview) December, p. 54-57
Rugoff, Ralph. “Vanity Fare”, LA Weekly. February 17 - February 23, p. 33
Seward, Keith. “Logorrhea Sean Landers is [sic]”, Paper Magazine. November, p. 36
Silver, Joanne. “MIT exhibit explores our kinship with ‘Apes’”, The Boston Herald. Friday, October 13, p. S21
Taylor, Robert. “Gorillas in our midst”, The Boston Globe. November 16, p. 65, 71
“Sean Landers at Galerie Jennifer Flay”, artpress. November, p. 17
Fat. Winter 1995/1996, p. 46
Lacanian Ink. Number 10, Fall, p. 28-29 (illustration)
“Goings on About Town: Sean Landers at Andrea Rosen”, The New Yorker. May 8, p. 201994
Avgikos, Jan. “Sean Sucks...Not: Portrait of the Artist as a Young Artist”, Artforum. April, pp. 67-69, 133
Billeter, Fritz. “Schnorkel und Schleifchen”, Tages-Anzeiger. Monday, February 28
Cameron, Dan. "Ode to discernment", Frieze. January/February, p. 36-40
Choon, Angela. "Desire for Identity: Artists build images for themselves", Art and Antiques. March, p. 20
Clewing, Ulrich. “Grandioser Flop”, Zitty. No. 21, p. 57
Cooper, Jacqueline. “Letters: To the editor”, Artforum. Summer, p. 7
De Beyerd. “Can you always believe your eyes.”, Haagsche Courant. April 29,
Decter, Joshua. “Stupidity as Density: American Idiot Culture”, Flash Art. October, p. 72-76
Drohojowska-Philip, Hunter. “Not Bad, Just Misunderstood”, The Los Angeles Times. (Washington edition) March 18, p. B8-9; and “This ‘Bad-Boy Artist Has Lots of Thoughts on Love” (Los Angeles edition), March 18, p. F1, F24 and Quote of the Day, p. F1
Fricke, Harald. “Verganglichkeit ist keine Frage des Stils”, Die Tageszeitung. October 22, p. 38
Hultkrans, Andrew. “Sean Sucks...Not: The Tres Boring Hours”, Artforum. April, p. 62-65, 117, 119
Kandel, Susan. “Sean Landers: A “Bad Boy’ Goes Bad”, The Los Angeles Times. March 22
Kent, Sarah. “Sean Landers at White Cube”, Time Out. June 1 - 8, No. 1241, p. 42
Langer, Werner. “Galerien: Einkehr bei Einzelgangern”, Der Tagesspiegel. October 1, p. 25
Lewis, Jim. "The Writings on the Wall", Harper's Bazaar. March, pp. 182-186
Lewis, Jim. "Pragmatics", Art Issues. January/February, pp. 12 - 15
Mack, Gerhard. Cash. Hinter der Buhne lauert die reale Welt: Das Luzerner Kunstmuseum blickt mit “Backstage” hinter die Kilissen der modernen Kunst”, No. 6, February 11, p. 53
O’Grady, Lorraine. “Sean Sucks...Not: SWM”, Artforum. April, pp. 65-66
Pacheco, Patrick. "America's Top 100 Collectors", Art and Antiques. March, p. 47-52, 60-63, 72-76, 80-84, 92-97, 104-105
Perree, Rob. “De Duivelse Kunsten van Sean Landers”, Kunstbeeld. November, p. 35 - 37
Princenthal, Nancy. The Print Collector's Newsletter. January-February, Vol. XXIV, No. 6 p. 230
Ritchie, Matthew. “The World Made Flesh”, Flash Art. May/June, No. 176, p. 71-72
Saltz, Jerry. “A Year in the Life: Tropic of Painting”, Art in America. October, p. 90 - 101
Silverthorne, Jeanne. “On the Studio’s Ruins”, Sculpture. November/December, p. 26-29
Smith, Roberta. "Group Shows of Every Kind, Even When the Show Itself Is an Art Form", The New York Times. February 25, p. C22
Tager, Alisa. “Sean Landers at Regen Projects”, Art Issues. May/June, p. 47
Volkart, Yvonne. “Passing Through - Walcheturm, Zurich”, Flash Art. May, June, p. 79
Weil, Benjamin. "Backstage", Flash Art. January/February, p.95
Young, Lucie. “Apathy in the USA”, The Face. No. 70, July, p. 96 - 99
“Sean Landers cartoons”, Nummer. January, p. 101-105
“Remisisonem Peccatorum”, New Observations. No. 103, p. 4
“Passing Through”, Zuri-tip. January 21, 19941993
Ardenne, Paul. "Sean Landers at Galerie Jennifer Flay", Art Press. July - August, No. 182
Bourriaud, Nicolas. "Curator's Statement: Nicolas Bourriaud: Standards", Flash Art Daily. June 10, p. 8
Brenken, Erika. "Jenseits der Gemutlichkeit", Rheinische Post. September 15, p.11
Dahlqvist, Dennis. "Hackat och vrickat", Expressen. June 28, p.5
Gardner, Belinda. "Da gerat einiges ins Wanken", Hamburg Rundshau. September 16, no. 38, p. 10-11
Gilliam, Liam. "A Guide to Video Conferencing Systems and the Role of the Building Worker in Relation to the Contemporary Art Exhibition (Backstage)", Documents. October, p. 36-37
Gopnik, Adam. "The Art World: Death in Venice", The New Yorker. August 2, p. 66 - 73
Heartney, Eleanor. "Galleries: The Emerging Generation - New York, The Art of Survival", Art Press. October, No. 184, p. 24 - 28; E7 - E10
Hixson, Kathryn. "Trouble in Paradise", New Art Examiner. October, p. 28-32
Jacques, Alison Sarah. "Sean Landers", Flash Art Daily. June 10, p. 7
Landers, Sean. "Dear Text zur Kunst", Texte zur Kunst. June, p. 105-107
Levin, Kim. "Voice Choices: Sean Landers at Andrea Rosen Gallery", The Village Voice. November 16,
Meckseper, Josephine. "Sean Landers interviewed by Josephine Meckseper", 241. May, p. 20-24
Minetti, Maria Giulia. "E l'artte riparte dai punti cardinali", L'Uomo Vogue. June, p. 100
Muller, Silke. . "Backstage", Kunstforum. October, pp. 389-391
Risaliti, Sergio. "Flash Art News: I, Myself and Others - Magasin, Grenoble", Flash Art. May, p. 123
Salvioni, Daniela. . "Flash Art News: Aperto -A Stroll Through the Emergency", Flash Art. October, p. 67-68
Smith, Roberta. "Sean Landers at Andrea Rosen Gallery: Art as its maker's mirror", The New York Times. November 26, p. C29
Sugiura, Kunie. "Sean Landers", B.T.: Monthly Art Magazine. July, Vol 45 no. 672 p. 40-41
Verzotti, Georgio, "Aperto '93: The Better Biennale", October, pp. 104-105
"La Biennale de Venise", Galeries Magazine. Summer, pp. 69-75
"Sean Landers at Jennifer Flay", Pariscope: une semaine de Paris. May 5 - 11, p. 170
“La Biennale di Venezia,” B.T.: Monthly Art Magazine. p. 68
"What Asher Edelman Buys", The ARTnewsletter. July 6, p.3
"Goings On About Town: 'Sean Landers at Andrea Rosen", The New Yorker. November 15, p.28
"Goings On About Town: 'Confessional'", The New Yorker. March 8 241. reproduced "Locked in Hamburgh's Kunsverein!", Summer, p.14-191992
Adams, Brooks. "Sean Landers at Andrea Rosen Gallery", Art in America. July, p.105
Arning, Bill. "The Anti-Masculine (Overlapping but not corresponding to the feminine)", Essay from group exhibition at Kim Light Gallery.
Braff, Phyllis. "7 Artists With Bright Futures", The New York Times. September 13, Long Island section
Hansen, Malene Vest. "Europas paradis", Politiken. June 11
Kerte, Jens. "Kunst pa reklame-tavlerne", Politiken. June 3
Kruger, Barbara. "A vous et a moi: 'I, Myself and Others' au Le Magasin, Grenoble", Le Monde (Rhone-Alpes). October 2, p. 25
Kuoni, Carin. "New York: Ein Heer von Versagern", Kunst-Bulletin. No 4, April, p. 58-59
Larson, Kay. "Art on Site: Twenty-five Years in Two Hours", Atelier. July, p. 64 - 83
Larson, Kay. "Darkness Visible", New York Magazine. March 16, p. 79-80
Levin, Kim. "Choices", The Village Voice. March 10, p.73
Lieberman, Rhonda. "The Loser Thing", Artforum. September, pp. 78-82
Meyer, Peter S. "Bizart, Copenhagen", Nordic Art Review. September
Meyer, Peter S. "Kunst pa reklamernes plads", Kristeligt Dagblad. June 11
Michelsen, Anders. "Paradise Europe, Bizart, Copenhagen", Art & Text. September
Nesbitt, Lois. "The Young, The Wild and The Wicked", Elle Magazine. March, p. 130 - 132
Rimanelli, David. "Sean Landers at Andrea Rosen Gallery", Artforum. May p. 116
Slivka, Rose C.S. "Collector's Choice", East Hampton Star. September 17
Smith, Roberta. "Examining a Multi-Media Personality", The New York Times. February 21, p.22
Sugiura, Kunie. "From New York", B.T.: Monthly Art Magazine. June, Vol 44 no. 655 p. 163
Weil, Benjamin. "Spotlight: Sean Landers", Flash Art. May/June, p.110
Weiss, Marion Wolberg. "Review: Emerging Artists at the Vered", Dan's Papers. September 18
"News: Copenhagen - Paradise Europe", Flash Art. Summer, p.132
"Project for Publicsfear", Publicsfear. Vol. 1, No. 1, p. 35-46
The New Yorker. March 9, pp. 12 - 131991
Bravin, Karin. "SOHO: Untitled '92", New York Connection. Volume 40, p. 44-48
Decter, Joshua. "Sean Landers", Arts. February
Decter, Joshua. review of "Work? Work in Progress?", Arts. March
Greenhagen, Holly. Reader. March 29, Section 1
Hagen, Charles. "An Epistolary Motif", The New York Times. August 23
Hixson, Kathryn. review, "Videos and a Film....", Flash Art. October
Holmqvist, Karl. "Scatter Pieces", Material. No.3, p. 7-10
Jolles, Claudia. "Notizen Eines Gluckosen", ZuriWoche. March 28
Kozik, K.K. review of "Lyric," White Columns, Cover. May
Kuoni, Carin. "Work In Progress. Work? Eine Ausstellung - oder ein Zustand in New York", unst BulletinK. April
Levin, Kim. "Choices", Village Voice. August 20
Lieberman, Rhonda. "Sean Landers", Flash Art. March/April
McCracken, David. review, Chicago Tribune. October 25
Miller, John. "Sean Landers", Texte Zur Kunst. Spring Issue
Nesbitt, Lois. "Sean Landers", Artforum, March
Rosenberg, Barry A. and Carol Nathanson. Words & #s. Wright State University, Dayton, OH. exhibition catalogue
"Goings On About Town", review, The New Yorker. September 21990
Andersen, Michael. "Sean Landers", Contemporanea. March
Decter, Joshua. "Sean Landers", Arts. April
Gilbert, Elizabeth. "It's Not Done Yet", Downtown Express. December 12
Hess, Elizabeth. "Caution: Artists Working", The Village Voice. December 18
Lewis, James. "Sean Landers", Artforum. April
Mahoney, Robert. "Sean Landers", Art Today. volume 2, number 1
Smith, Roberta. "Echoes of the 60's and 70's Among the Young and Little Known", The New York Times. November 30
"Goings On About Town", review, The New Yorker. July 1
"Goings On About Town", review, The New Yorker. December 24
"Goings On About Town", review, The New Yorker. December 101989
Anderson, Alexandra. "The Next Generation", Smart. September/October
Iverem, Esther. "At City Parks, Spring Is In The Art", New York Newsday. May 12, weekend p. 1, 16 -17
Mahoney, Robert. "New York In Review (Outer Limits)", Arts. November1988
Brenson, Michael. "Outdoor Works Echo Struggles of Life in the City", (Art on the Beach), The New York Times. July 15, p. C28
Mahoney, Robert. "New York in Review", (Art on the Beach), Arts Magazine. November1986
Brenson, Michael. "A Bountiful Year in Outdoor Sculpture, Glimpses of a New Sensibility", (South Beach III), The New York Times. July - Exhibitions
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